Kanabadutaledu

In the bustling coastal city of Visakhapatnam, a grim discovery sets a quiet tension reverberating through the streets: an unidentified body washes up in a dump, its anonymity a puzzle that beckons the local police. Victor Raju, a seasoned officer, finds himself drawn into the case, navigating the procedural world of the force while the city’s rhythm—its markets, the sea breezes, and the clamor of everyday life—keeps a steady pulse beneath the investigation. The atmosphere is one of lingering unease, where every clue feels both a promise and a threat, and the ordinary routine of law enforcement is tinged with an undercurrent of mystery.

Meanwhile, far to the south in Hyderabad, a married couple wrestles with the ghosts of their own histories. Aditya and Sashida share a home that feels more like a holding pattern than a partnership, each haunted by choices that linger in the shadows of their present. Their conversations drift between the mundane and the unspoken, hinting at lost love, missed chances, and a yearning for resolution that stubbornly refuses to be silenced. The film paints their relationship with a blend of melancholy and restless curiosity, inviting the audience to sense the strain without exposing the exact fractures.

The threads of these two narratives begin to intertwine when Rama Krishna, a detective known for thinking beyond the conventional, steps onto the scene. His unconventional methods and quiet intensity suggest that the seemingly separate mysteries may be linked by deeper, unseen connections. As he delves into the layers of both the investigation and the couple’s tangled past, the tone shifts toward a slow‑burning intrigue, promising that the answers lie in the spaces where duty, desire, and destiny converge.

Last Updated: September 01, 2025 at 14:30