Isadora

Isadora Duncan is living in poverty in a small hotel on the French Riviera, dictating her memoirs to Mary and Roger. The scene frames her as a legendary artist facing precarious finances, merging memory with art. It establishes the memoir as both a personal confession and a chronicle of her life.

She is a young girl in California who rejects conventional expectations by burning her parents' marriage certificate. She pledges to dedicate her life to art and beauty, foreshadowing a life lived on her own terms. These acts reveal her fearless defiance and fierce creative drive.

In 1896, Isadora performs under the name Peppy Dora in a rowdy Chicago music hall. She publicly shames the manager into paying her $300 so she can take her family to England. The performance launches her on a path to international recognition.

She develops a free-form style modeled on Greek classicism and quickly earns international acclaim. Her daring dances and costumes push boundaries of what performance can be. The rising fame carries her across Europe, setting the stage for future collaborations.

Berlin is where she meets Gordon Craig, a promising stage designer who envisions a new world of theatre. Their intense partnership leads to the birth of a daughter for Isadora. The relationship marks a turning point from solo dancer to powerful artistic collaborator.

She moves to Paris, where Paris Singer showers gifts on her and buys an enormous estate to open a School for Life, teaching beauty and simplicity. The arrangement expands her artistic reach beyond performance into education and patronage. This period blends romance, luxury, and a new public persona.

Following the birth of a son, Isadora returns to England with Singer, seeking a quieter life but quickly grows restless again. The domestic path gives way to new artistic ambitions and travel across Europe. The episode foreshadows the continual reshaping of her life.

Isadora begins an affair with her pianist Armand while still with Singer. Soon after, tragedy strikes when both of her children drown after their chauffeur-driven car plunges into the Seine. The catastrophe shatters her family and drives her into a period of wandering.

Broken by the tragedy, she leaves Singer and wanders across Europe until 1921, when she is offered to open a dancing school in the Soviet Union. The opportunity marks a dramatic turn toward cultural diplomacy in a communist state. Her wanderings finally funnel into a defined new phase of her career.

In the Soviet Union, she forms a passionate relationship with Sergei Essenin, a volatile poet. To obtain a visa to accompany her to the United States, she marries Essenin. The marriage becomes entangled with his temper and public notoriety.

Essenin's antics and Isadora's free-spirited performances boil over in the United States, culminating in a chaotic press conference and a controversial moment when she bares her breasts during a Boston recital. Anti-Bolshevist sentiment in the country intensifies the personal and professional strain. The episode hardens her resolve to continue her art on her own terms.

After the marriage dissolves, she returns to Nice to write her memoirs and, impulsively, sells her possessions to open a new school in Paris. While celebrating in a local café, she spots Bugatti, a handsome Italian driver, and begins a new, unsettled romance. Her plans to reshape her life through art face a dramatic detour.

Back on the road near the sea, Isadora's long chiffon scarf catches in the spokes of a wheel and strangles her, ending her life and sealing her legend. The accident crystallizes the paradox of a life lived for freedom and danger. Her death becomes a final, iconic image of the Isadora Duncan story.