Year: 1999
Runtime: 91 mins
Language: Danish
Director: Lasse Spang Olsen
Arvid leads a quiet, unassuming life as a bank clerk, sharing his days with his beloved girlfriend. When a robbery erupts at the very bank where he works, he steps in and, with unexpected bravery, foils the thieves. The incident shatters his routine, thrusting him into a dramatically altered reality.
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Arvid, Dejan Čukić, a bank teller, is worn down by constant harassment from customers and by his girlfriend’s belief that he’s too dull. Seeking a spark of excitement, he ends up involved in a bank robbery when he helps stop the crime. Hanna, Trine Dyrholm, his girlfriend, doesn’t believe his version of events and dumps him, taking most of what they shared.
Astrid, Line Kruse, the wife of the would‑be robber Franz, tracks Arvid down and reveals that Franz robbed the bank to pay for medical treatments so they could have a child. Feeling guilty, Arvid reaches out to his brother Harald, Kim Bodnia, whom he hasn’t seen in years after their father disowned him for his criminal ties, and together they plan a more ambitious theft: robbing a van carrying money to the bank.
The heist goes through, and Arvid delivers the money to Astrid, but he is sickened by the extreme violence Harald and his crew use to complete the job. After breaking Franz out of jail, a confrontation breaks out and Franz is killed; Harald kills Franz, but Astrid manages to flee to South Africa to escape their wrath. Arvid tries to distance himself from Harald to avoid further bloodshed, yet Hanna confronts him again at his apartment, demanding the rest of his possessions. At his breaking point, Arvid kills Hanna and teams up with Harald to pursue Astrid.
Needing money to reach South Africa, the brothers attempt to rob the bank where Arvid works, but are met with retaliation from Onkel, the head of a local Serbian cartel, for the death of his nephew. They manage to kill Onkel and his men, but Arvid is killed in the shootout. In the aftermath, Arvid’s spirit is greeted in limbo by an angel, Richard, Lester Wiese, who had been relaying Arvid’s misadventures to a demonic bartender. Richard surprisingly allows Arvid into Heaven, while the other victims of the tragedy—the barfly Jørgen, Arvid’s closeted co-worker Finn, and his “girlfriend” Olga—are sent to Hell, due to a clerical error on Richard’s part.
Last Updated: October 05, 2025 at 11:20
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Where a single mistake plunges an ordinary life into violent, chaotic ruin.If you liked the chaotic and violent descent into crime in In China They Eat Dogs, you'll find similar stories here. These movies feature ordinary people whose lives spiral out of control, blending dark humor with grim consequences in a fast-paced, high-intensity narrative.
The narrative pattern typically begins with an ordinary protagonist committing an unexpected act that breaks their routine. This triggers a rapid, uncontrollable chain of events involving robbery, murder, and revenge, often orchestrated by chaotic criminal forces. The journey is characterized by moral collapse and escalating violence, leading to a bleak, morally ambiguous, or absurdly ironic conclusion.
Movies are grouped here for their shared combination of a fast-paced, high-intensity plot fueled by criminal chaos, a dark and often bleak tone punctuated by absurd humor, and a heavy emotional weight stemming from guilt and fatal consequences.
Stories where fate delivers ironic, cynical justice for messy lives and bad choices.Fans of the cynical humor and mixed, ironic ending of In China They Eat Dogs will appreciate these movies. They share a blend of crime, dark comedy, and heavy themes, where characters face grimly absurd consequences for their actions in a morally complex world.
The narrative unfolds as characters make morally questionable choices, often within a crime-ridden context, leading to severe and ironic repercussions. A key element is the use of an absurd or surreal framing device—like divine intervention or cosmic chance—to deliver a conclusion that subverts traditional notions of justice, leaving the audience with a sense of cynical amusement and moral unease.
These films are linked by their dominant dark tone, moderate complexity often featuring surreal elements, a mixed or bleak ending feel, and a consistent thread of dark humor that underscores the heavy emotional themes of guilt and fate.
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Track the full timeline of In China They Eat Dogs with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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Discover movies like In China They Eat Dogs that share similar genres, themes, and storytelling elements. Whether you’re drawn to the atmosphere, character arcs, or plot structure, these curated recommendations will help you explore more films you’ll love.
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