Year: 1989
Runtime: 120 mins
Language: Spanish
Director: Vicente Aranda
In post‑war Catalonia, children gathered amid the ruins to tell “aventis,” stories that blend war memories, local gossip, comic‑book heroes, fantasy and real events. The film recounts these tales through flashbacks. In the mid‑1980s, a doctor and a nurse‑nun—childhood friends now working together—identify the corpse of a central figure from those stories, uncovering new mysteries and unresolved doubts decades after the Civil War’s impact on a typical Barcelona neighbourhood.
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In the years after the war, Catalan kids gather in circles among the ruins and weave aventis—open-ended stories that drift between memory, rumor, and fantasy. These tales mingle war recollections, local gossip, comic-book heroes, and real events, and the film unfolds them through flashbacks set in 1970, 1940, 1936, and the mid-1980s.
In 1970, Nito, Cesáreo Estébanez, a medical examiner assistant, and Sor Paulina, Mercè Sans, a nurse-nun who grew up with him, identify the drowned couple from a car accident. The dead man is Daniel Javaloyes, known as Java, Jorge Sanz, one of the central aventis figures. The woman appears to be Juanita, a former orphan, portrayed by Ariadna Navarro. The discovery of Java’s body stirs memories of events decades past, some true and some shaped by imagination.
In 1940s Barcelona, Java, a young man trying to escape poverty, shares a crumbling house with his mute grandmother. To earn money, he performs perverse sexual acts for Don Conrado, a wealthy, sadistic man who uses a wheelchair after war injuries. During one of these encounters, Java is drawn to Ramona, a visibly pregnant prostitute who is [Victoria Abril]. Ramona’s history reveals she had once been a maid in Conrado’s household and bears a scar on her left nipple from his abuse. Java’s longing for her deepens as the stories told by Sarnita—one of the neighborhood kids—start to blur lines between fact and fiction. Marcos, Java’s older brother and an anarchist, hides at the family home and longs to see his girlfriend Aurora Nin again, a figure central to the aventis; the two are connected to Ramona through the tales recounted by Sarnita. Fueguiña, one of the orphans at the institution where Sor Paulina works, plays the leading role in a religious amateur play about a martyr’s sacrifice, and Java, hoping to become an actor, blackmails Fueguiña to take the part of the devil in the play, though Conrado allows it only for rehearsals.
The 1936 flashback traces the war as Marcos fights for the Republic and seeks revenge on Conrado’s brutality toward Aurora Nin. When Marcos’ men cannot locate Conrado, they shoot Conrado’s father, and Conrado’s mother survives thanks to Aurora’s intervention. In a stark turn, Java takes a male partner, Ado, a teenager, in one of his assignments for Conrado, and through Ado he becomes entangled with a wealthy jewelry dealer, seeing in that connection a path out of poverty.
By 1940, Marcos’s old wartime cronies pursue him through secret anti-government plots, increasingly resorting to crime. Palau, the gang leader, and his partners Fusam and Sendra attack Menchu, a bleach-blonde prostitute who works for the Falangists, killing her brutally. As the net tightens, Java eventually guides Ramona to Marcos’s hidden place, and the former lovers are joyfully reunited, using the ensuing commotion to slip away from the city.
In the mid-1980s, on a busy Barcelona street, Palau glimpses an elderly couple asking for money who bear a striking resemblance to Marcos and Aurora Nin, hints that the aventis may still echo through the present day.
Last Updated: October 09, 2025 at 14:31
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where the unresolved past bleeds into the present through fragmented recollections.If you liked the way If They Tell You I Fell explores fractured childhood memories, you'll find similar stories here. These films use non-linear narratives to delve into the long shadow of trauma, where adult characters must piece together the past. They share a heavy emotional weight and a focus on how memory shapes identity.
Narratives in this thread are often non-linear, weaving between timelines to reconstruct a traumatic past. The journey is one of psychological excavation, where characters grapple with unreliable memories, often involving war, loss, or abuse. The conclusions are frequently ambiguous, reflecting the elusive nature of truth and the enduring nature of pain.
These films are grouped by their shared focus on the psychological impact of childhood trauma, expressed through complex, time-hopping structures. They create a consistent mood of melancholy and mystery, driven by a heavy emotional core and a dark, introspective tone.
Bleak explorations of societal and personal decay in the aftermath of conflict.Discover movies like If They Tell You I Fell that capture the bleak atmosphere of life after war. These stories are set in damaged societies, exploring themes of trauma, poverty, and political strife with a heavy, melancholic feel. They are for viewers seeking immersive, emotionally weighty historical dramas.
The narrative pattern often involves characters navigating a broken world, uncovering secrets buried by the conflict, or grappling with their own complicity and survival. The plot is less about the war itself and more about its corrosive long-term effects on humanity, community, and memory.
These films share a specific, potent combination of a post-war setting, a dark and gritty tone, and a heavy emotional focus on trauma and societal decay. The mood is consistently oppressive and melancholic, creating a cohesive viewing experience centered on historical pain.
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Track the full timeline of If They Tell You I Fell with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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