I Dood It

At a lively nightclub, a performance by the Tommy Dorsey orchestra opens the night with a swinging rendition of One O’Clock Jump, drawing in a crowd that includes the glamorous Broadway star Constance “Connie” Shaw (played by Eleanor Powell) and her fiancé Larry West, who watch with equal parts admiration and nerves. Among the audience is Connie’s ardent admirer, the obsessive fan Joseph “Joe” Rivington Renolds (played by Red Skelton), who has shadowed her across town and dreams of being more than just a devoted follower. As the music winds down, Connie uses her radio platform to announce a Western rope-dance routine at a nearby theatre, hinting at the showmanship that defines her career.

When the curtain falls, Connie’s eyes betray a brief, painful moment of jealousy as she sees Larry sharing a moment with socialite Suretta Brenton (as portrayed by Patricia Dane). Joe, who has finally found a moment to himself, retrieves the suit he borrowed and returns to his tailor shop, nursing his unrequited affection for Connie. The next night, Connie slips into Joe’s orbit again—this time at his table—pressing herself into the role of his pretend date as part of a calculated display of jealousy and control. The two share a dance, a tenuous bridge between captivation and coercion, while the theatre’s backstage world buzzes with rumors and plans.

Unbeknownst to them, Roy Hartwood (played by John Hodiak) is not merely another actor in the Civil War-era play Dixie Lou—he is a saboteur with a more dangerous objective. Working for a shadowy Axis-influenced network, Hartwood is charged with destroying the theatre that sits adjacent to a war munitions warehouse, and a capsule bomb could change everything in a heartbeat. The backstage atmosphere thickens with tension as Connie’s jealousy peaks and Suretta’s presence threatens to upend Connie’s sense of control.

Producer Kenneth Lawlor (portrayed by Thurston Hall) moves the plot forward when he brings Suretta into Connie’s dressing room to discuss understudy possibilities. Connie spots Suretta’s ruby bracelet—the very token Larry had bought for her—and jealousy flares into a destructive rage that shatters her dressing room. In a spur-of-the-moment decision, she flees the room, crossing paths with Joe in the hallway. Sensing an opportunity to own her, Connie impulsively marries him, even as the truth about Joe’s day-to-day life remains deeply obscured.

The couple’s honeymoon is a turbulent chapter: Connie drafts a farewell letter and plans to slip a sleeping pill into Joe’s champagne, but Joe swaps the glasses and Connie drifts into sleep instead. The morning reveals a bitter irony—Ed Jackson (played by Sam Levene) arrives with news that Joe’s real occupation is far from glamorous; he is essentially a pants presser by trade, a detail that shatters Connie’s illusion and pushes her toward divorce. Yet the story isn’t over, as Joe’s path back to Connie intersects with a new Broadway showcase featuring Hazel Scott and, in a stunning moment of star power, Lena Horne.

Disguised as just another audience member, Joe sneaks into the theatre but is tossed out. Fate intervenes when he accidentally tumbles into a crevice outside the building—an opening created by Hartwood’s sabotage. He stumbles into Hartwood’s dressing room and, with the memory of Dixie Lou at his disposal, is asked to be the saboteur’s understudy. Joe’s quick memorization of Hartwood’s role lets him step into the performance, but a string of mishaps nearly sabotages the whole production. As the act unfolds, Joe realizes Hartwood is the mastermind behind the plot to destroy the theatre.

A confrontational backstage confrontation ensues, where Joe battles Hartwood and ultimately knocks Hartwood unconscious. In the wake of this clash, Connie’s feelings crystallize: she declares her love for Joe, and he rises to the moment by disarming the bomb that could have levelled the theatre. The near-disaster culminates in a morally charged victory, and Joe’s bravery elevates him from troublemaker to hero. With danger averted and trust earned, Connie and Joe chart a new course for their lives and careers.

In the end, Joe’s courage propels him into a new professional future—he becomes the co-producer and a partner in Connie’s next show, Star Eyes. The pair emerge from the night stronger and more certain of their bond, their dreams of stardom tempered by the hard-won truth that love, loyalty, and a little bit of danger can drive a Broadway legend to new heights. The backstage world of stagecraft, jealousy, and espionage collides with the bright lights of the theatre, leaving Connie and Joe ready to write the next act together.

Last Updated: October 09, 2025 at 11:26