Year: 2018
Runtime: 125 min
Language: Italian
Director: Alice Rohrwacher
Echo Score: 88Budget: $5.2M
In the isolated village of Inviolata, a tender friendship develops between Lazzaro, a generous peasant, and Tancredi, a nobleman struggling with inner turmoil, under the dominion of the stern Marchesa Alfonsina de Luna. When Tancredi devises a plan to stage his own kidnapping with Lazzaro's help, their lives take an unexpected turn, blurring the lines between past and present and revealing the clash between Lazzaro's inherent goodness and the complexities of modern society.
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On an estate known as Inviolata, which has remained isolated since 1977, a community of 54 farmhands tirelessly toil on a tobacco farm under a sharecropping system that leaves them perpetually in debt and without pay. The estate is ruled in a feudal style by the infamous Marchioness Alfonsina De Luna, dubbed the “Queen of Cigarettes.” Among the workers is Lazzaro, portrayed by Adriano Tardiolo, who diligently obeys every directive from the Marchioness, her son Tancredi—a character portrayed by Tommaso Ragno—and the estate manager.
Tancredi forms a bond with Lazzaro and concocts a scheme to fake his own kidnapping in an effort to provoke his mother and extract some of her money. Together, they venture into the wild, crafting a fake ransom note while deepening their friendship. During their escapades, they even mimic a wolf’s howl, attempting to connect with a solitary wolf that roams the land; Tancredi affectionately entertains the idea that they could be half-brothers, considering his father’s reputation as a womanizer. Lazzaro, however, takes this notion quite seriously.
In a twist of fate, Tancredi’s mother swiftly uncovers the ruse, but the estate manager’s daughter, believing the situation to be real, calls the police during a rare moment of cell service. Authorities arrive by helicopter, unveiling the shocking reality of the estate’s operations, including the illegal sharecropping and the lack of educational opportunities for the children. The police take action and dismantle the operation at Inviolata, leading to Alfonsina’s arrest in a scandal famously referred to as the “Great Swindle.” In a turn of events, Lazzaro, preoccupied by the helicopter, tumbles off a cliff and lies unconscious in a ravine, only for a wolf—whether real or metaphorical—to recognize him as a good soul.
When Lazzaro awakens, years have mysteriously passed, but he has not aged. He stumbles into the now-abandoned Inviolata, where robbers, including a former child resident, are pillaging. They deceive Lazzaro, claiming that the estate is moving and the city is just a short walk away. With no knowledge of the urban life, Lazzaro embarks on a journey to the city. There, he encounters Antonia, played by Alba Rohrwacher, who recognizes him from the farm. She introduces him to a group of impoverished former residents of Inviolata who have turned to crime for survival. They share the tale of the Great Swindle, but Lazzaro remains fixated on finding Tancredi.
When he finally hears Tancredi’s voice calling for his dog, Lazzaro is joyfully reunited with his “half-brother.” Tancredi, who now runs a nightclub, extends an invitation to his former estate workers, showcasing his wealth. However, when they arrive with lavish pastries as gifts, they’re met with disappointment as Tancredi has forgotten their meeting. Feeling abandoned, Lazzaro and his companions stumble upon a church, where they’re not allowed to remain due to a nun’s restrictions. Yet the organ music follows them, creating an ethereal atmosphere around them as they decide to return to Inviolata and claim it as their own.
As the narrative unfolds, Lazzaro discovers that Tancredi has squandered the De Luna fortune to the bank. Wanting to assist his half-brother, Lazzaro visits a bank, where he inadvertently triggers a panic by appearing to wield a firearm. As chaos erupts, he simply requests the return of the De Luna fortune. When the bank’s patrons realize that Lazzaro is merely holding a slingshot, they turn on him and he meets a tragic fate. The story concludes with the haunting image of the wolf, which escapes the bank and races freely through the streets, returning to its natural habitat.
Last Updated: November 16, 2024 at 14:55
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Stories that blend harsh reality with dreamlike elements to critique society.If you liked the blend of harsh social critique and dreamlike magic in Happy as Lazzaro, explore more movies that use magical realism to explore themes of poverty, exploitation, and the clash between innocence and a cynical world.
Narratives in this thread often follow innocent or pure-hearted characters navigating oppressive social structures. The introduction of a magical or surreal element—be it a time jump, an ageless character, or a symbolic event—serves to highlight the absurdity or tragedy of the societal flaws being examined.
These films are grouped by their unique tonal blend of melancholic realism and ethereal wonder, their focus on serious social themes, and their use of narrative devices that bend reality to serve a larger philosophical or ethical point.
Journeys of pure-hearted characters confronting the harsh realities of modern life.Find movies similar to Happy as Lazzaro that explore the tragic beauty of innate goodness clashing with a cynical world. These films often feature heavy emotional weight and bittersweet endings, focusing on the journey of an innocent protagonist.
The narrative pattern follows a fundamentally good, simple, or naive protagonist as they are thrust into environments or situations that exploit their innocence. The central conflict is internal and societal, pitting their inherent kindness against the world's moral complexities, often leading to a tragic or bittersweet conclusion.
Movies in this thread share a heavy emotional weight, a melancholic tone, and a central thematic focus on the dissolution of innocence. They feature similar character archetypes and evoke a powerful, reflective sadness about the nature of goodness.
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