Giallo

In the shadowed streets of Turin, a city where fog clings to ancient stone and the hum of traffic never truly fades, a desperate search unfolds. A French flight attendant believes her younger sister has been taken, and the urgency of that fear pulls the city’s pulse tighter, turning ordinary alleys into possible clues. The atmosphere is thick with suspense, each corner hinting at hidden motives while the clock ticks louder with every passing moment.

Linda teams up with Inspector Enzo Avolfi, a hardened detective whose own past has left indelible marks on his approach to justice. Enzo carries the weight of personal loss, giving him a gritty resolve that balances Linda’s fierce devotion. Their partnership is built on a fragile trust, each drawing on a different kind of intuition—her emotional urgency and his methodical experience—while they are forced to think like the predator they hunt. The dynamic between the two creates a tension that feels both personal and professional, as they edge closer to a darkness that threatens to consume them both.

The story is drenched in a moody, psychological thriller tone, inviting viewers to feel the dread that comes from slipping into the mind of an unseen stalker. Known only as “Yellow,” this elusive figure remains a looming presence, a puzzle that demands empathy and cold calculation in equal measure. The film’s style leans heavily on atmospheric visuals and a relentless sense of urgency, suggesting that the hunt itself may reveal as much about the hunters as about the hunted, all while the city itself seems to watch, waiting for the next breath of tension to break.

Last Updated: October 11, 2025 at 19:39