Gehrayee

In the bustling corporate world of Bangalore, a prosperous manager faces a crossroads that pulls him between the sleek promises of urban progress and the lingering roots of his family’s rural heritage. He owns a sprawling plantation in his ancestral village, a piece of land that has long been tended by a humble caretaker. The decision to sell this property to a commercial enterprise sets the tone for a story that oscillates between modern ambition and the quiet weight of tradition, casting an uneasy shadow over both the city and the countryside.

Within the family, Chennabasappa is a decisive, rationalist figure whose confidence in logic clashes subtly with the more intuitive currents around him. His devoted wife Saroja moves through daily life with quiet steadiness, while their son Nandu balances youthful curiosity with a protective instinct toward his younger sister. Uma, the only daughter, has always been sensitive to the rhythms of the household, and the impending sale begins to stir something unsettling within her, hinting at a deeper, unspoken tension that lingers in the ancestral home.

The caretaker, Baswa, watches the family’s choices with a reverence for the land that borders on the sacred, seeing it as a living extension of his own identity. As the family navigates the practicalities of the transaction, an oddness settles over the household, most prominently in Uma’s behavior, which grows increasingly enigmatic. The atmosphere becomes a delicate blend of rational concern and whispers of the unseen, prompting the family to seek counsel from those who claim to understand the unseen forces at play.

Against this backdrop of conflicting worldviews, the narrative teeters between the tangible pressures of modern life and the intangible pull of ancestral lore. The tone remains atmospheric and introspective, inviting the viewer to sense the fragile balance between reason and belief, and to wonder what lies just beyond the edge of what the characters can perceive.

Last Updated: December 04, 2025 at 17:46