Fist of Fear, Touch of Death

The Bruce Lee story segment portrays him as a karate-obsessed youth whose pursuit of martial prowess foreshadows his later legend. He is shown as a symbol around which the film builds its discussion of lineage and greatness. The portrayal emphasizes Lee's influence on martial arts cinema and the heavy expectations that accompany a lasting legacy.

Aaron Banks is depicted as driving the tournament's narrative as a promoter who claims Lee was killed by a mythical move. His statements frame the entire segment around sensational mythology and the commodification of martial arts lore. He embodies the media-driven push to create a successor figure.

Hammer is shown as a charismatic action star navigating obstacles on the way to the tournament, with a side plot about mistaken identity. His presence adds a blend of charisma and bravado to the film’s tournament sections. His arc reflects the entertainment industry's grip on martial arts spectacle.

The Boxer is profiled and interviewed, then depicted performing a heroic moment by saving a woman in a New York park. He represents the athletic prowess celebrated in the martial arts world within the film's frame. His appearance underscores the real-world aspect of competition amid spectacle.

Louis Neglia is crowned the victor in the final two-round kickboxing match, serving as the climactic athletic payoff of the event. His championship win ties together the tournament’s competitive core with the film’s commentary on legacy. His portrayal emphasizes the culmination of the showcased talents.

Cyclone, also known as John Flood, appears as a competitor within the tournament framework. The character contributes to the ensemble of fighters that populate the event’s arena sequence. Specific exploits are left to the film’s montage-driven structure.

Bill Louie appears as Kato #2, dressed in homage to a classic martial arts persona. He is involved in a daylight sequence near the World War II memorial and is linked to a violent confrontation that ends with the final killing of a foe. His segment blends homage with a brutal, cinematic incident.

Teruyuki Higa’s character appears as a karate instructor, contributing to the film’s exploration of martial arts discipline and pedagogy. He embodies the mentor archetype within the tournament narrative and training sequences. His presence anchors the technical and philosophical aspects of the sport depicted.

Richard Barathy is credited as The Stone Smasher, though the summary provides no detailed actions for this character. He remains part of the broader cast that populates the film’s showcase of fighters and crowd scenes. The character’s presence contributes to the ensemble dynamic of the tournament world.

Hammer's Girlfriend appears in the broader cast, adding personal dimension to Hammer’s storyline within the film’s social milieu. Her scenes provide additional texture to the tournament environment and its interpersonal dynamics.

Gail Turner’s character is presented as The Rape Victim within a segment that juxtaposes public spectacle with personal violence. Her inclusion signals the film’s willingness to confront darker, real-world violence within the context of martial arts cinema. The portrayal is a stark counterpoint to the celebratory tournament imagery.