Year: 1980
Runtime: 86 mins
Language: English
Director: Matthew Mallinson
A TV reporter conducts interviews with three renowned martial‑arts masters, along with fighters and promoters, discussing Bruce Lee while a tournament is organized to determine who will inherit the “Successor to the Bruce Lee legacy” title. The program weaves archival footage from Lee’s movies and real interviews into a pseudo‑documentary presentation.
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Outside Madison Square Garden, TV reporter Adolph Caesar is on the scene as a martial arts tournament looms, framed as the event that could crown bruce Lee’s official successor. Promoter Aaron Banks speaks about Lee’s supposed death at the hands of a kung fu move called “The Touch of Death,” insisting the move can be deadly in three to four weeks. The segment includes flashbacks that purport to show Bruce Lee backing Banks’ assertion.
Inside MSG, Caesar surveys the lineup and shows what he calls “interview footage” with Bruce Lee shortly before his death. The program then shifts to earlier in the day, where action star Fred Williamson negotiates a gauntlet of obstacles, only to be repeatedly mistaken for Harry Belafonte. The profile continues with Ron Van Clief, who is later seen rescuing a woman from four assailants in a New York park.
The film’s middle segment is devoted to The Bruce Lee Story, a retelling of Lee’s youth in China, where he is depicted as “karate crazy.” The footage, some of it drawn from the 1957 film Thunderstorm and redubbed, presents Lee as striving to live up to his great-grandfather, described as “one of China’s greatest Samurai masters” — a note that China did not have Samurai (they were Japanese). The life of Lee’s grandfather also appears in this act, with scenes borrowed from Invincible Super Chan. Lee’s journey continues as he leaves home and begins an acting career.
This section leads to a standout moment featuring Bill Louie, dressed as Kato from The Green Hornet, who intervenes to save two female joggers from a gang near Battery Park in broad daylight, culminating in the apparent murder of the last conscious gang member with a throwing star.
After Caesar announces the conclusion of The Bruce Lee Story, the action returns to Madison Square Garden, where Fred Williamson is again interviewed and dismisses the idea of a contest to decide a Bruce Lee successor.
The finale is a two-round kickboxing match, with Louis Neglia prevailing. The film closes as Caesar offers a final reflection.
“The Touch of Death” is described as a move that can kill in three to four weeks.
Last Updated: October 09, 2025 at 14:52
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Low-budget films that spoof genres while blending fact and fiction.If you liked the weird mix of fact and fiction in Fist of Fear, Touch of Death, you'll enjoy these movies. This list features films that use a mockumentary format to spoof a genre, blending real footage with staged events for a uniquely campy and exploitative feel.
These stories are presented as documentaries but are clearly fictional constructs. The narrative often follows a flimsy central premise—like finding a successor to a legend or investigating a strange subculture—as a loose framework to hang interviews, archival clips, and comedic asides, resulting in a disjointed but oddly compelling structure.
Movies are grouped here for their shared mockumentary approach, low-budget aesthetic, and intent to parody. They possess a specific, haphazard vibe where the attempt at seriousness is undercut by campy execution, making the viewing experience more about the bizarre presentation than a coherent plot.
Unpolished fight films where the spectacle overshadows narrative cohesion.For viewers who enjoyed the martial arts tournament and archival clips in Fist of Fear, Touch of Death. This list gathers films with a similar haphazard energy, where the love for combat and iconic figures creates a disjointed but intensely focused genre experience.
The narrative is typically a simple framework to showcase fighting. A tournament to crown a champion or a quest to carry on a legacy provides a basic through-line, but the story is frequently interrupted by extended fight scenes, training footage, or tangential interviews, giving it a fragmented rhythm.
This thread connects films defined by their amateurish yet passionate approach to martial arts. The shared elements are a focus on combat spectacle, a loosely constructed plot, and a vibe that is both intense in its action scenes and lethargic in its overall pacing.
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