Drifting

In the hum of an Israeli city where every street seems to pulse with unspoken expectations, Robi lives under the roof of his aging grandparents and helps run their modest grocery store. By day he moves through familiar routines—stocking shelves, strolling through the park, and sharing quiet moments with friends—while the city around him teems with fleeting encounters that never quite feel like home. The backdrop is a place that offers casual connection but lacks a visible gay scene, leaving him to navigate a social landscape that feels both familiar and strangely foreign.

_ Robi_ carries two intense passions: a yearning to create a cheerful film that could one day claim an Oscar, and a deep desire to find a lasting, authentic love with another man. As a second‑generation Holocaust survivor, he grapples with the weight of history and a name that marks him as an outsider in his own country. This sense of being “a tiger in a cage” colors his aspirations, turning everyday moments into quiet battles between hope and the feeling that he does not fully belong.

The family dynamic adds another layer of tension. Robi’s grandmother fills her days with German women’s magazines and the waltz of Strauss, her worldview still framed by the scars of the past and a lingering mistrust of Arab neighbors. She tolerates his sexuality with a weary silence, preferring to steer conversations toward the conventional promise of a wife and children. Robi’s father, a stoic Holocaust survivor with a heavy accent, echoes similar expectations, insisting that a stable family is the only respectable path. Meanwhile, an ex‑girlfriend hints at reconciliation, even as Robi finds himself drawn to a man named Han, whose own life has been reshaped by societal pressure.

The film captures a mood that is both intimate and restless, blending the melancholy of unfulfilled dreams with moments of quiet humor and tender observation. It invites viewers into Robi’s world—a place where personal ambition, cultural legacy, and the search for belonging intersect, leaving the audience to wonder how he will reconcile the fragments of his identity amidst the ever‑present hum of the city.

Last Updated: December 04, 2025 at 16:20