From Afar

Wealthy and middle-aged, Armando entices young men to his home using the allure of money. However, his intentions remain purely voyeuristic; he prefers to observe from a distance without any physical contact. This lifestyle is punctuated by his fixation on an elderly businessman, suggesting a complex and possibly traumatic past between them.

Armando’s initial meeting with street tough Elder quickly turns violent, yet this confrontation does nothing to deter his intrigue with the strikingly handsome youth. Financially motivated, Elder finds himself visiting Armando repeatedly, and over time, a surprising intimacy develops between the two. Yet, the shadows of Armando’s troubled history loom heavily, influencing their connection in profound ways.

In a poignant descent into the depths of human psychology, Desde Allá navigates Armando’s fear of touch while delving into themes of unfulfilled desire. Director Lorenzo Vigas’ debut feature is a rich tapestry that reflects the stark social divides in Caracas. The narrative vividly portrays Venezuela’s current state, tracing the journey through the vastly contrasting social classes, from the elite gated communities to the chaotic streets of downtown, ultimately reaching the underprivileged neighborhoods marked by monotonous apartment complexes.

As the story unfolds, Elder makes the ultimate sacrifice, demonstrating a complex gesture of affection towards Armando that speaks volumes about their fragile bond.

Last Updated: November 04, 2024 at 01:55