Distorted

In a sleek, ultramodern high‑rise known as The Pinnacle, Lauren Curran has built a life that feels almost curated—designer interiors, cutting‑edge smart systems, and the promise of a fresh start far from the shadows of her past. The condo’s polished surfaces and whisper‑quiet algorithms suggest a world where technology smooths every edge, yet a subtle disquiet lingers beneath the glossy veneer, hinting that not everything can be controlled by code alone.

Her husband, Russell, a successful entrepreneur, welcomes the move as the ultimate upgrade, but the building’s omnipresent sensors and immersive media begin to feel invasive, especially to Lauren, whose bipolar diagnosis adds a layer of fragility to her perception of reality. As she navigates the glossy social scene of affluent neighbors, the constant hum of the smart environment starts to echo with inexplicable static, leaving her to wonder whether the very comforts meant to protect her are subtly reshaping her thoughts.

Enter John Cusack, an investigative journalist whose curiosity is matched only by his willingness to dig beneath surface‑level narratives. Drawn together by a shared suspicion that something more sinister may be pulsing through the building’s cutting‑edge technology, they form an uneasy partnership. Their collaboration is less about uncovering a conventional crime and more about questioning the ethics of a world where data, perception, and human vulnerability intersect in unsettling ways.

The film balances sleek, futuristic aesthetics with a palpable sense of unease, casting the condo’s immaculate design as both sanctuary and trap. Through Lauren’s increasingly strained sense of self and John’s relentless probing, the story teases a mystery that lurks behind every smart surface, inviting the audience to consider how far we’ll let technology dictate the contours of our lives—and what happens when the line between safety and manipulation blurs.

Last Updated: August 10, 2025 at 02:32