Damaged

In the mist‑shrouded hills of the Scottish countryside, a case thought to be buried under years of snow begins to stir, drawing a seasoned Chicago detective far from the city’s relentless clamor. The remote landscape, with its ancient stone towns and relentless drizzle, provides a stark contrast to the urban grit of his home, setting the stage for a tense, atmospheric investigation that feels both familiar and unsettlingly foreign. As the old files are dusted off, the quiet urgency of a cold case resurfaces, promising to ripple through the lives of everyone it touches.

Dan Lawson arrives with a reputation forged in the brutal streets of Chicago, his career marked by hard‑won successes and the lingering shadows of past mistakes. He is paired with Glen Boyd, a local officer whose own quiet grief colors his every decision, and Laura Kessler, the chief of police tasked with keeping order amid rising unease. The three form an uneasy alliance, each bringing a distinct perspective: Lawson’s gritty street‑wise instincts, Boyd’s intimate knowledge of the community, and Kessler’s disciplined oversight. Their interactions crackle with understated tension, as personal histories hover just beneath the surface, hinting at the emotional stakes that will drive the story forward.

The film moves with a moody, slow‑burning rhythm, blending the bleak, rain‑slicked streets of Scotland with the lingering, hard‑boiled edge of Lawson’s Chicago past. It is a psychological thriller that feels less like a hunt for a killer and more like an excavation of buried guilt and unanswered questions. The looming presence of old trauma creates a palpable undercurrent, inviting the audience to wonder whether the real danger lies in the case itself or in the ghosts each detective carries within.

Last Updated: August 09, 2025 at 20:02