Set during the tense days of the October Crisis, the film follows a fragile, poverty-stricken Montreal family as their world is upended by politics, fear, and a desperate bid for belonging. At the center is Manon, a hardworking young girl who, with her father fighting cancer and her mother overwhelmed by a nervous breakdown, shoulders most of the care for her younger brother, Mimi. The siblings spend much of their time at the home of their aunt and uncle, Simone and Gaston, alongside cousins Martin and Denis, weaving through a fragile web of family loyalty and survival.
As the nation broadcasts the increasingly stark images of the Front de libération du Québec, Manon watches with a child’s inward unease, unable to clearly label the FLQ as good or bad. Her uncle Gaston holds a conservative view, clashing with his rebellious son, Paul, a tension that echoes in the small domestic sphere. Feeling neglected and seeking a sense of control, Manon crafts her own small-scale manifesto on children’s rights, a spark that grows into a dangerous plan once she learns the family may be placed in foster care.
Against this backdrop, Manon and Martin decide that a bold move could force a change in their lives. They conceive a kidnapping—targeting an elderly woman they name as a victim—and draft a ransom note signed by the “Family Cell.” The scheme is designed to scare the adults into keeping the children together and perhaps delaying the foster-care process, a plan that Manon rationalizes after hearing the news that a foster placement looms. To win Mimi over, they promise him something magical: a pretend grandmother who will stay with them and love them in the absence of their parents.
On Halloween, the two children—along with Mimi and Denis—make their move. They approach the unsuspecting Mrs. Robinson in disguise, kidnap her, and take her to an unused cabin in Saint-Zénon, Quebec. The disappearance triggers a police investigation, and the question of who is responsible widens as the film unfolds. The authorities quickly connect Paul to a radical archive of literature, including titles like White Niggers of America, triggering a broader hunt that intertwines personal desperation with national crisis.
At the cabin, language becomes a barrier: Mrs. Robinson speaks only English, while the French-speaking children can communicate only in limited ways. The group confronts practical needs—Mrs. Robinson’s heart issues, her need for medication, and the challenge of obtaining supplies from a pharmacist who is wary of the sudden, dramatic events back in Montreal. The kids’ plan evolves as they care for their captive, and a quiet, humane moment emerges as Mrs. Robinson expresses a willingness to read to Mimi and Denis and bake them a cake, a small but powerful reminder of the humanity at stake.
The situation escalates when a newspaper article about the missing children reaches the pharmacist, who informs the police. Law enforcement heads to Saint-Zénon and arrests Paul soon after the federal government invokes the War Measures Act, though the children themselves are taken into custody before the full political storm resolves. The tragedy deepens as Mimi loses his father, and Mrs. Robinson attends the funeral. The foster system takes Mimi away, while Manon is placed in a juvenile-delinquency center.
In a moment of desperate resolve, a social worker inadvertently leaves Mimi’s new address and the center’s keys in front of Manon. Seizing the chance, she escapes with her brother that same night, slipping away in the darkness to journey toward their foster home, with a vow to take Mimi to Disneyland. The film closes on their uncertain road ahead, a poignant portrait of family bonds strained by poverty, fear, and a nation in turmoil.
Throughout, the narrative keeps a steady, observational tone, letting the characters’ choices pull the audience into moral ambiguity without glamorizing danger. It presents a stark portrait of resilience—how a group of siblings and relatives navigate love, loyalty, and the longing for stability when history suddenly intrudes upon everyday life.
