Collateral Beauty

In the bustling heart of New York City, a once‑celebrated advertising executive finds his world reduced to a quiet, aching void after a personal tragedy. Howard Inlet, whose life had been defined by ambition and the rhythm of relentless campaigns, now drifts through the corridors of his agency haunted by loss, his days marked by solitary rituals that echo the fragility of the life he once knew.

Concerned colleagues notice the slow unraveling of both his spirit and the business he leads. Determined to pull their friend back from the brink, they devise a plan that feels more theatrical than corporate. Enlisting the help of three struggling performers, they ask these actors to embody the abstract forces of Love, Time and Death—personifications meant to coax Howard into confronting the depths of his grief. The scheme is as unconventional as it is heartfelt, a blend of professional anxiety and personal devotion that hints at the transformative power of unexpected encounters.

The film balances a grounded, contemporary setting with moments of quiet surrealism, allowing the city’s relentless energy to mirror the inner turbulence of its characters. Its tone is introspective yet tinged with a gentle humor, inviting the audience to contemplate how the most profound wounds can sometimes be soothed by the most unlikely sources. As Howard and those around him navigate this delicate dance of support and self‑discovery, the story promises a meditation on finding beauty in the aftermath of loss, suggesting that hope often arrives in the most unanticipated forms.

Last Updated: August 10, 2025 at 03:33