Checking Out

In the quiet world of an air‑field suburb, Ray Macklin lives a steady life built on a shared love of aviation with his lifelong friend Pat Hagen. Their friendship is a thread of jokes, model‑plane memories, and an unspoken code that has guided both men for years. When a sudden, unexpected tragedy strikes at a family gathering, Ray is thrust into a disorienting new reality, his ordinary routine cracked open by the stark reminder of mortality.

The aftermath pulls Ray deeper into the very things that once comforted him. A promotion places him in Pat’s former office, where he now works alongside Barbara, his erstwhile secretary, and Diana, Pat’s former confidante. At home, his wife Jenny watches their children with growing concern as Ray’s grief morphs into an obsessive quest for health certainty. He begins to fill his house with gadgets, monitors, and elaborate rituals, turning everyday moments into a comic‑styled performance of self‑diagnosis.

The film’s tone walks a tightrope between absurdist slapstick and genuine anxiety, using bright, chaotic set‑pieces to highlight the inner turmoil of a man who can’t stop measuring his own pulse. It captures the humor that bubbles up in the most serious of situations—silent alarm beeps, exaggerated wellness routines, and awkward office dynamics—while never losing sight of the underlying pathos of loss.

The story watches Ray as his meticulous health‑obsession collides with the messy, unpredictable currents of family, work, and friendship. The stage is set for a darkly comic investigation of how far one will go to feel in control, and what might happen when that control begins to slip from his hands.

Last Updated: December 03, 2025 at 23:48