Buffalo

In the gritty pulse of Buffalo, a city that feels both cramped and expansive, Roger is jolted by the sudden loss of his ex‑wife. The news hits him like a cold gust off Lake Erie, stirring a mix of regret, unfinished business, and a restless yearning that has long lingered beneath his everyday routine. The film opens with the stark quiet of his ordinary life, a world of modest jobs and half‑kept promises, suddenly shattered by a grief that refuses to stay contained.

Compelled by a sudden surge of desperation, Roger abandons his predictable path and, in a reckless act born of shock, commandeers a cab that isn’t his. The stolen vehicle becomes a moving confession, a symbol of his attempt to outrun the weight of loss and reclaim something that slipped away decades ago. The streets of Buffalo and the highways beyond blur into a reckless canvas, hinting at the emotional distance he must cover as much as the physical miles ahead.

At the heart of his journey is the faint echo of a son he has not seen in more than thirty years. This estranged child exists as a phantom of Roger’s past—a reminder of decisions long ago made and the lives left in their wake. The promise of a reunion hangs in the air, offering both a fragile hope and an unsettling tension, as the road forces him to confront the gaps between who he was, who he has become, and who he might still become.

The tone balances melancholy with a restless, almost kinetic energy. Buffalo’s industrial backdrop, its cold winters and stubborn inhabitants, mirror Roger’s internal clash between grief and the stubborn drive to find redemption. As the cab rolls onward, the audience is left with a sense of inevitable reckoning, aware that the journey itself may be as revealing as the destination.

Last Updated: November 25, 2025 at 14:51