Bey Yaar

In Nal Savorar and Ahmedabad’s heart, Chako and Tino chase the dream of The Other Side as they hustle as MRs. They fall prey to a scheming Godman who promises to triple their profits. The nighttime pitch marks the start of a dangerous journey.

Desperation pushes them to swap the original Hassan painting with an almost identical fake and loan the real painting to cash in on its value. They recruit Uday, a painter, to create a precise replica. The plan relies on trust and timing to avoid tipping their hand.

The group approaches Y. B. Gandhi, a local art dealer, who agrees to mortgage the painting and provide liquidity. The arrangement seems to offer a quick path to the money they crave.

Gandhi reveals that the painting he received appears fake and accuses Chako of a possible double-cross, suggesting Tino may have talked to another dealer. Chako confronts Tino, and the rift widens as Jeetu banishes Chako from the home.

The truth emerges that the Muhammad Hassan painting was original all along and Gandhi manipulated events to discredit Jeetu and Hassan’s legacy. The community is shaken as public accusations threaten Hassan’s memory and the tea stall’s standing.

To redeem themselves, Chako and Tino recruit Jigisha and Uday to stage a sting around a fictitious international artist, Prabodh Gupta. They hire a method actor, Pranav, to embody Prabodh and oversee a sham NGO and a fake exhibition.

The team coordinates the sting, with Pranav convincingly playing Prabodh Gupta to convince Gandhi the project is real. The aim is to lure Gandhi into backing the operation and secure the tea stall painting for good.

As the fake exhibition unfolds, the team pulls back the original Hassan painting at a critical moment, triggering Gandhi's realization that he has been outwitted by his own greed. A tense standoff erupts among Chako, Tino, Jeetu, and Gandhi.

Gandhi retreats to a forced admission, publicly retracting his earlier accusations. He agrees to restore the Hassan painting to Jeetu's tea stall and acknowledge the truth of Hassan's friendship.

Jeetu's trust is repaired as the painting is returned and father and son begin to reconcile. The episode also sets Hassan’s memory on a restored footing within the community.

Uday's paintings gain recognition, catalyzing his broader acceptance in the art world. The group moves toward a more tempered future, with honesty guiding their next steps.

Chako and Tino, having faced the consequences of greed, look toward a hopeful future together. Hassan's memory is honored, the painting is safe, and the bonds within the family and their circle are restored.