Ass Backwards

In a sleepy Midwestern town where everything from the diner jukebox to the town hall feels like a snapshot of a bygone era, two estranged friends take a unexpected detour back home. The town’s most beloved tradition—a lively children’s beauty pageant—still looms large in the local imagination, its glittering crowns and over‑the‑top performances serving as the perfect backdrop for a comedy that balances nostalgia with a delightfully absurd edge. The atmosphere hums with a quirky, almost postcard‑perfect charm that suddenly feels ripe for chaos.

Kate and Chloe arrive with the weight of a shared, cringe‑laden past and very different lives that have taken them far from their small‑town roots. Chloe, now a rising star in a nightlife scene that feels as if it were built inside a glass box, brings a restless, performative energy that thrives on attention. Kate, meanwhile, runs an unconventional business that revolves around the oddities of modern reproduction, gifting her a pragmatic, dead‑pan humor that keeps the pair grounded even as the town’s eccentricities swirl around them. Their dynamic crackles with the kind of loving sarcasm and unspoken affection that only long‑time confidantes can share, setting the stage for a reunion that feels both heartfelt and hilariously uncomfortable.

The film’s tone walks a tightrope between warm, almost sentimental reminiscence and razor‑sharp satire, inviting viewers to laugh at the absurdities of small‑town rituals while also feeling the pull of unresolved feelings. As the two women navigate a community populated with colorful locals—each embodying a different slice of the town’s idiosyncratic spirit—their journey hints at deeper questions about identity, ambition, and the desire to finally claim a crown they never won. The promise of misadventure hangs in the air, suggesting that the road home may be far more entertaining, and perhaps more revealing, than either of them anticipated.

Last Updated: August 10, 2025 at 06:03