Ashi Hi Banwa Banwi

A street-smart cosmetics salesman in Pune who secretly loves his employer Madhuri. He becomes the linchpin of the plan to disguise the friends as married couples to secure a home, showing boldness and loyalty to his circle.

Dhananjay's employer and love interest who experiences heartbreak when she sees him in disguise, but ultimately rekindles their relationship after truth emerges. She embodies moral center and emotional honesty within the chaos.

A medical student from Miraj who becomes a successful doctor. He orchestrates some of the deception by presenting Sudha as his wife and fabricating personal troubles to influence Sushma, revealing a mix of charm and scheming.

Shantanu's friend who has been disowned by his abusive uncle. He transforms into Sudha, a singer and music educator, and falls for Manisha while in disguise, illustrating the complexities of identity and affection.

From Kolhapur, Parshya works as a domestic worker and falls in love with Kamli. He disguises himself as Parvati, becoming part of the married couple ruse to secure housing, and later gains recognition as a playwright back in Kolhapur.

Parshya's disguise as Parvati, Dhananjay's ‘wife,’ is central to the setup of the married-couple arrangement. The persona navigates the group dynamics and contributes to the comic misdirections that drive the plot.

Kamli is Parshya's love interest who comes to Pune with a theatre troupe. Her relationship with Parshya ties into the romance and adds emotional stakes to the mask-and-marriage ruse.

Leelabai's niece and Shantanu's girlfriend from Miraj. She becomes entangled with Sudhir's disguised identity and is a key emotional thread in the evolving relationships.

Shantanu's girlfriend who is deeply affected by the deception around Sudha. She represents the vulnerable, emotional side of the romantic entanglements and contributes to the stakes of the scheme.

Leelabai's scheming nephew who tries to unmask the ruse and seize control of the situation. His antagonism provides conflict and drives the final confrontation with the authorities.

A rich, old widow with cataracts who rents rooms under the condition that tenants are married couples. She becomes a maternal figure who ultimately disowns Bali and embraces the four friends as her sons, forming a makeshift family.