Aloys

In a muted city where shadows linger behind cracked windows, Aloys makes his living as a private investigator who prefers distance to intimacy. He moves through his cases with a video camera slung over his shoulder, capturing strangers from afar while keeping his own life deliberately out of focus. The walls of his modest apartment echo his routine solitude, and even the neighbor next door remains a peripheral presence he chooses to ignore.

That quiet equilibrium is unsettled the moment a disembodied voice reaches out across a telephone line, inviting him to join a strange, almost ceremonial game called “telephone walking.” The proposition is simple yet oddly compelling: two voices imagine sharing a walk together, mapping an unseen landscape with words alone. Intrigued by the promise of escape and the allure of a voice that seems to understand his yearning for connection, Aloys finds himself drawn toward an imagined realm that feels as vivid as the streets he surveys.

The film swirls between the stark realism of Aloys’s observational world and the dreamy, sensory‑rich textures of the shared mental journeys he embarks upon. Its tone is a quiet blend of melancholy and wonder, letting the audience feel the weight of isolation while hinting at the transformative potential of whispered companionship. The visual language mirrors his habit of filming from a distance, yet the imagined walks unfold with a palpable closeness that contrasts sharply with his usual detachment.

As the mysterious caller continues to beckon, Aloys stands at a crossroads between his entrenched habit of observing life and the fragile possibility of stepping into it. The story invites viewers to wonder how far a voice can travel when the world beyond the screen feels both familiar and foreign, and whether the act of imagined togetherness might finally breach the walls he has built around himself.

Last Updated: October 05, 2025 at 16:55