7 Days

In a post‑pandemic America where cultural traditions meet digital matchmaking, two Indian‑American families turn to an online service called Arranged to steer their children toward a hopeful union. Their mothers, steeped in heritage yet navigating life far from the old country, craft careful profiles that promise both familiarity and the excitement of modern romance. The stage is set in a cramped, everyday world of shared kitchens, quiet apartments, and the ever‑present hum of lockdown news, where personal space is as scarce as certainty.

Ravi arrives with academic precision and a polite, if slightly stiff, demeanor, while Rita brings a laid‑back, unapologetically candid energy that immediately challenges his expectations. Their first encounter is a blend of awkward charm and cultural missteps, the kind of cringe‑worthy moment that feels both universally relatable and uniquely rooted in their shared diaspora experience. The film leans into this tension, using humor and gentle embarrassment to highlight the clash of personalities and the subtle negotiations between individuality and familial duty.

As the pandemic forces them into a seven‑day cohabitation, the ordinary becomes a crucible for unexpected connection. The confined setting amplifies every quirk and habit, turning moments of silence into opportunities for insight and brief, off‑beat conversations into bridges across their differences. The tone balances light‑hearted comedy with an undercurrent of sincerity, inviting the audience to linger on the small gestures—shared meals, tentative jokes, quiet pauses—that hint at deeper understanding.

Through the lens of this quirky, contemporary romance, the film explores how imposed proximity can dissolve preconceived notions, allowing two seemingly mismatched people to discover common ground. It paints a portrait of love that is as much about navigating family expectations and cultural identity as it is about finding comfort in another’s presence when the world outside feels uncertain.

Last Updated: October 05, 2025 at 16:51