Window Horses

In bustling Vancouver, a young poet named Rosie Ming lives under the watchful care of her Chinese grandparents, Gloria and Stephen. Haunted by the loss of her mother and driven by an idealized dream of Paris, Rosie spends her days shaping verses in a self‑published collection that captures both longing and rebellion. When a modest literary contest catches the eye of a distant festival committee, an invitation arrives from a city far from her familiar coast—Shiraz, Iran—setting the stage for an unforeseen departure from the safety of home.

The invitation pulls Rosie into a vibrant world where ancient poetry mingles with contemporary voices. At the festival she encounters Mehrnaz, a cultural ambassador whose quiet support offers a compass amid unfamiliar customs, as well as fellow word‑smiths like the introspective Chinese poet Di Di and the outspoken German poet Dietmar. Their diverse perspectives create a tapestry of dialogue that both challenges and enriches Rosie’s own artistic convictions. The atmosphere hums with the delicate tension between tradition and modernity, as poets navigate the subtle expectations of a society that prizes both reverence and innovation.

Beyond the verses and performances lies a personal odyssey rooted in family history. Rosie’s understanding of her Iranian heritage is fragmented, shaded by childhood stories of an absent father named Mehran. The journey to Shiraz subtly beckons her to untangle the threads of identity, memory, and belonging that have long lingered beneath her poetic aspirations. As she steps onto foreign streets and into a chorus of shared storytelling, the film cultivates a contemplative mood, inviting viewers to consider how language can bridge gaps, heal old wounds, and help one discover a voice that resonates across cultures.

Last Updated: September 24, 2025 at 04:57