White Noise

In a world where the static between radio stations becomes a conduit for the unseen, an unsettling thriller unfolds around the age‑old human longing for immortality. The film treats electronic voice phenomena not as a novelty but as a doorway that blurs the boundary between the living and whatever lies beyond. Its atmosphere is drenched in low‑frequency hums and quiet dread, inviting viewers to listen for whispers that might be nothing more than noise—or something far more consequential.

Jonathan Rivers is a grieving widower whose life is upended when a mysterious visitor claims his late wife is reaching out from the other side. Driven by loss and curiosity, Jonathan plunges into the world of EVP, collecting old radios, tape decks, and other recording devices in a desperate attempt to capture a voice that might still belong to his beloved Anna Rivers. Along his path he encounters Raymond Price, a quiet specialist who insists he can coax messages from beyond, and Sarah Tate, a fellow seeker whose own sorrow and dependence on the recordings create a fragile but compelling alliance. Their interactions balance skepticism with yearning, forming a tense trio bound by shared obsession.

The tone remains tight‑knit between scientific intrigue and supernatural horror, suggesting that each new fragment of static may bring both comfort and danger. As the characters delve deeper, the film hints that the very act of listening could awaken forces far older than humanity’s quest for eternal life. The audience is left to wonder whether the pursuit of the unseen will illuminate truth or simply amplify the echo of our deepest fears.

Last Updated: August 10, 2025 at 10:35