What’s So Bad About Feeling Good?

In the heart of a restless New York City, a rag‑tag loft commune drifts between artistic rebellion and cynical resignation. Pete, a former advertising executive, has swapped boardrooms for cheap sofas and the company of eclectic roommates who linger in beat‑style ennui. The space feels like a living collage of mismatched furniture, a resident who sleeps in a burlap sack, and the lingering scent of cheap coffee—an urban sanctuary where creativity is both a refuge and a joke. Beside him lives his long‑time girlfriend, Liz, whose pragmatic sensibility constantly bumps against the loft’s whimsical drift.

One improbable morning a brightly plumed toucan, fresh from a South‑American banana cargo, lands among the clutter, its feathers carrying a contagion that turns ordinary people into exuberant, kind‑hearted versions of themselves. The virus spreads with a simple touch, flooding its hosts with giddy optimism and a sudden urge to be nice. The authorities, uncomfortable with a wave of uncontrolled goodwill, treat the outbreak as a public safety threat, setting up a clash between bureaucratic caution and a community that sees the infection as a chance to rewrite its stale script.

The film dances between satirical comedy and gentle social commentary, using the loft’s bohemian texture and the city’s bustling backdrop to explore what happens when a society suddenly feels compelled to be kind. Pete and Liz sit at the center of this tug‑of‑war, their relationship poised between skepticism and the allure of a world that suddenly laughs a little louder. With a tone that balances absurdist humor and earnest curiosity, the story invites viewers to wonder how far a contagious feeling of goodness might travel before the world tries to contain it.

Last Updated: December 04, 2025 at 23:18