Two evil alien conquerors, My-ik Diedrich Bader and Du-ug Chris Parnell, arrive on Earth with a chilling deadline: behead all humans within 48 hours, or Croker Tyler Labine will enforce the punishment. The threat is stark, and the duo must navigate a world far outside their experience as they attempt to complete their mission.
Kenny Michael Weston watches as the intruders descend from the sky, swords in hand, and he offers them shelter. He shares a small home with Ron Elden Henson, an unpleasant, oversexed infomercial producer whose personality clashes with the aliens’ own rigid code. The arrival sets off a strange, comedic dynamic: a human host trying to keep the peace while the two conquerors stumble through everyday life, learning what it means to exist among people who don’t fear them.
As the aliens begin to experience Earth culture, they form unexpected bonds. They become friends with Kenny, and—much to their surprise—they develop a fondness for Smirnoff Ice. Their feelings grow in tandem with new discoveries about love and loyalty as they unexpectedly fall for two local women, Penny Missy Yager and Jan Tori Spelling. Both women carry their own secrets, which adds a complicated, human layer to the aliens’ awakening. The conquerors start to question the mission they were sent to carry out, yet the pressure of the deadline—and their own uncertainties—persists, forcing them to confront the possibility that their supposed invincibility might not shield them from doubt, fear, or heartbreak. In this uneasy harmony of sci‑fi oddity and everyday life, they cling to the hope that they might find a way to coexist rather than annihilate.
The tension peaks when Croker arrives to obliterate the would-be saviors and the rest of Earth’s population. Yet the giant’s power proves unreliable when he shrinks down to normal size during transportation, a transformation that leaves him misperceiving his own size and role. Delusional enough to still believe he is a giant, Croker sets out to wreak havoc on the town, only to discover that his colossal misadventures amount to little more than comic chaos. The resulting clash blends absurd humor with a faint, earnest curiosity about what it means to protect a planet that refutes easy triumphs, ending in a moment that satirizes both interstellar swagger and small-town resilience.