Weapons of Mass Distraction

Weapons of Mass Distraction

Year: 1997

Runtime: 97 mins

Language: English

Director: Stephen Surjik

ComedyTV MovieDrama

In the cut‑throat world of business, size matters. Two rival media magnates clash over the coveted ownership of a professional football team, weaponizing their newspapers, magazines and television stations to smear each other's reputations and gain the upper hand.

Weapons of Mass Distraction (1997) – Spoiler-Free Movie Summary & Plot Overview

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In a world where media empires wield influence like weapons, two titans of the publishing industry find themselves locked in a high‑stakes contest that could reshape the face of professional sports. The cut‑throat atmosphere of boardrooms and newsroom corridors is palpable, with glossy magazines, breaking‑news TV slots, and powerful newspapers serving as both armor and artillery. The atmosphere hums with a mix of corporate ambition and the raw passion of fandom, promising a story that balances sharp satire with dramatic tension.

Phillip Messenger and Lionel Powers sit at the heart of this clash, each commanding a sprawling network of newspapers, magazines, and television stations. Their rivalry centers on the coveted ownership of a Los Angeles football franchise, a prize that promises not just prestige but a new arena for their media might. The battle spills into the public sphere, drawing the watchful eyes of Congress and prompting hearings where Billy Paxton publicly challenges the ethical lines being crossed. As the two moguls marshal every lever at their disposal, the tension crackles, hinting at the larger implications for power, profit, and public perception.

The fallout of this feud ripples far beyond the executive suites, touching a cast of characters whose lives become entangled in the media frenzy. Robin Zimmer, a beloved children’s television presenter, finds herself inadvertently swept into the crossfire, while Dr. Jonathon Cummings watches his professional world teeter under the weight of the moguls’ schemes. In a more personal corner, Jerry Pascoe and his wife Rita Pascoe confront the strain that corporate turmoil can place on a marriage, and the quiet lives of Ariel Powers—known as Alexi—and trusted aide Alan Blanchard are thrust into an unwanted spotlight. Each figure adds depth to a narrative that explores how ambition reverberates through families, careers, and the public eye, setting the stage for a compelling examination of power, media, and the beautiful game.

Last Updated: October 27, 2025 at 16:36

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