Year: 1997
Runtime: 97 min
Language: English
Director: Barry Levinson
Facing a looming reelection campaign and a damaging sex scandal, a desperate president enlists a team of crisis managers to fabricate a national crisis. They concoct a phony war in Albania, orchestrated by a brilliant but unscrupulous spin doctor and a Hollywood producer. As the media becomes captivated by the manufactured conflict, the team races against time to maintain the illusion, leading to a darkly comedic and satirical look at political manipulation and the power of the media.
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The President, Michael Belson, finds himself in a precarious situation when he is caught making advances on an underage girl inside the Oval Office, just days before the election. To divert the public’s gaze from this scandal, Conrad Brean (Robert De Niro), an elite spin doctor, is summoned by presidential aide Winifred Ames (Anne Heche). Brean concocts an imaginative solution: he will fabricate a war in Albania, directing the media’s attention away from the unfolding scandal.
To bring this fictional narrative to life, Brean reaches out to Hollywood producer Stanley Motss (Dustin Hoffman), tasking him with creating phony war footage and a catchy theme song, accompanied by a touching tale of an adorable orphan. Their ruse works initially, and the President’s popularity rebounds as public interest shifts.
However, the CIA soon becomes aware of the charade and dispatches Agent Young (William H. Macy) to confront Brean. Brean manages to persuade Young that unmasking the deception would be detrimental to both parties. But as the CIA colludes with the President’s political opponent, they announce that the war is real but nearing an end, causing the media to refocus on the President’s scandal.
In a desperate bid to distract the public again, Motss creates a narrative around a hero—one whom they suggest has been left behind enemy lines. Driven by the notion that this hero has been “discarded like an old shoe,” Brean and Motss manage to convince the Pentagon to attach a soldier named Schumann (Woody Harrelson) to their story, crafting a compelling POW narrative complete with T-shirts, patriotic songs, and orchestrated displays of support.
An impactful touch to their scheme involves folk singer Johnny Dean (Willie Nelson), who records a song called “Old Shoe.” This tune is then aged artificially and sent to the Library of Congress, giving it an appearance of historical significance. Soon, pairs of shoes start appearing on power lines, symbolizing the burgeoning support for their fictional war effort.
As their elaborate hoax continues to expand, the public becomes enmeshed in the false realities constructed in the White House’s basement with technology, actors, and staged events. To bolster their narrative, the team even liberates a mental patient with military credentials, simply because his last name is “Shoe,” rallying national sentiment with catchy songs tied to his name.
Yet, when the time comes to secure Schumann, the team is horrified to discover that he is actually an insane criminal. Their efforts to return are thwarted by a plane crash, but they survive, thanks to an illegal alien farmer who gains citizenship in exchange for a compelling story. Tragically, Schumann perishes after a violent incident, prompting Motss to stage a lavish military funeral, claiming he died heroically in the line of duty.
Tensions escalate when, after witnessing a political program crediting the President’s soaring poll numbers to a mundane campaign slogan, Motss grows frustrated. He believes his contributions are being overlooked and insists on recognition, despite Brean’s warnings of the potential dangers involved. In a dramatic turn of events, Motss’s refusal to retreat leads Brean to give the order that seals Motss’s fate.
As the dust settles, a newsflash reports that Motss has succumbed to a heart attack. The President successfully wins re-election, while a foreign terrorist group takes credit for a recent act of violence, thus closing the curtain on the chaos spawned from a web of lies.
Last Updated: November 03, 2024 at 12:14
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Fast-paced stories where institutions spin lies to control the narrative.If you liked the fast-paced, cynical humor of Wag the Dog, explore more movies like it. This thread features similar satirical stories about media manipulation, political spin, and the chaotic effort to control public opinion through elaborate fabrications.
The narrative typically follows a small group of experts or insiders racing against time to create and maintain a complex illusion. The plot is driven by a series of escalating lies, requiring quick thinking and constant improvisation to stay ahead of the truth, often leading to morally ambiguous or cynical conclusions.
These films are grouped by their shared cynical tone, fast pacing, and focus on the mechanics of deception. They create a specific vibe of intellectual unease and dark humor, appealing to viewers who enjoy stories that dissect the power dynamics of media and politics.
Unsettling tales where the news is the real conspiracy.Fans of Wag the Dog's take on media manipulation will find more similar movies here. Discover other cynical thrillers and satires that explore how propaganda is crafted, how conspiracies are spun, and the unsettling power of those who control the narrative.
These narratives often unfold as a behind-the-scenes look at the creation of a false reality. The central conflict is between the manufactured story and the inconvenient facts threatening to expose it. Character journeys involve moral compromise, with protagonists either becoming complicit in the deception or struggling to reveal it.
They share a core thematic focus on propaganda, public deception, and the manipulation of information. The mood is consistently uneasy and paranoid, driven by a moderate complexity in plotting that explores the layers of a conspiracy. The endings often leave a bittersweet or bleak feeling.
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