Waltz War

A talented bandleader who starts under Lanner but grows into a leading waltz innovator. He resents Lanner's control, forms his own ensemble, and faces the choice between taking credit and protecting others. His pride drives key decisions, culminating in an admission that shields Gustl while preserving the music's integrity.

A celebrated waltz composer protective of his own style and reputation. He suspects Strauss of plagiarism and fights for credit through public performance and legal action. Ultimately, the narrative centers on his work and its rightful attribution within a shared musical legacy.

Timpanist who impersonates Strauss at critical moments and becomes entangled in the dispute over the waltz's authorship. Loyal to his friends yet risky in his deceptions, he ultimately carries out the performance that reveals ownership while avoiding the harshest punishment.

Daughter of Lanner and a driving force behind a women's orchestra. She seeks to restore her father's reputation and challenges the male-dominated music scene, even as she navigates love and ambition. Her actions push the plot toward a broader recognition of women in music.

Former lover of Strauss who travels with a British delegation of the waltz study. She becomes entangled in the London scheme and in secret counsel with Strauss, influencing the cross-Channel transfer of musical ideas.

The monarch who desires affection and alliance through marriage and dance. Her ball becomes the proving ground for new waltz styles, and her reactions shape how the music is received at the highest level of society.

Victoria's hesitant fiancé who represents the tension between romance and political alliance. His responses to the waltz performances influence the outcome of courtly decisions and the royal engagement.

Kati's harmonica-playing friend who helps form the female ensemble and participates in the London plan to showcase new music. She embodies camaraderie and practical support for musical experimentation.

A member of the aristocratic circle who interacts with Strauss and the royal court. He represents the courtly milieu where music and politics intersect during the era.

A judge who presides over the copyright trial at the end, reflecting the era's legal questions about musical originality and attribution. His rulings contribute to the outcome and public perception of the case.