Utilities

The story takes place in a mid-sized North American city with a bustling urban environment. The setting features visible electricity grids, neighborhood streets, and local services that anchor the drama as power and billing disputes disrupt daily life.

The events are set in the early 1980s, a pre-digital era when households relied on manual billing and long-distance calls were expensive. This period is reflected in the public commissions, regulatory hearings, and media coverage that drive the plot.

Bob Hunt is a social worker portrayed by Robert Hays who becomes a driven, vengeful force after witnessing systemic neglect of vulnerable citizens. He targets failing support networks to expose weaknesses in public services, believing drastic action can force reform. His methods blur the line between justice and obsession, and his identity as 'The Finger' becomes a citywide symbol of citizen resistance.

Dr. Martha Louise Rogers is an elderly physician portrayed by Jane Mallett whose electricity is cut off when she cannot pay her bill. Her resulting hospitalization due to hypothermia becomes the inciting incident that motivates the community to rally around her and fuels Bob Hunt's campaign against the utility company.

Kenneth Knight is a power broker behind the utility company, portrayed by James Blendick. He is rumored to orchestrate substation sabotage to gain public sympathy and influence rate decisions. He represents corporate manipulation and political calculation, driving much of the film's antagonistic pressure.

Marion Edwards is a police officer portrayed by Brooke Adams who is involved in upholding order while also uncovering a larger manipulation within the utility saga. She embodies authority and determination, and her investigation helps reveal the extent of corporate and regulatory corruption, tying law enforcement to the fight for public welfare.

The film explores how a social worker's quest to force reform evolves into a vendetta against failing social systems. The Finger becomes a symbol exposing weaknesses in civic infrastructure and accountability. The narrative probes whether individual action can catalyze change or foster chaos, questioning who should police public welfare and at what cost.

Media coverage drives the mystery and shapes how the public perceives the conflict between citizens and utilities. Sensational reporting magnifies small clues, influencing fear, sympathy, and outrage. The courtroom and street protests become stages where information and rumor compete for power, suggesting media narratives can propel reform or manipulate sentiment.

Central to the plot are the operations and decisions of a public utility and its rate hikes. Corporate interests and regulatory maneuvering frame the struggle between profit and public welfare. Sabotage reveals the fragility of essential services and tests the resilience of the city's infrastructure, with the public commission embodying a critical check on power.

The Finger is Bob Hunt's symbolic identity as he wages his campaign of sabotage against the utility company's support systems. It becomes a citywide symbol that represents citizen resistance against corporate negligence and failing public services, evolving from a personal vendetta into a broader movement for accountability.

The film emphasizes community resilience through neighbors like Roy Blue, Ruby Blue, Eddie, and Walt who rally around Dr. Rogers when her electricity is cut off. Citizens participate in discussions, public demonstrations, and collective action, reflecting solidarity and pragmatic support for those affected by outages and unfair utility practices.

The movie maintains a light tone despite its serious subject matter because it is presented as a comedy. The narrative is driven by a quirky, almost whimsical form of protest through The Finger, rather than grim despair. The film balances satire and social commentary with clever retaliation and character-driven plot, creating an engaging commentary on civic issues without becoming preachy.