Under Milk Wood

Under Milk Wood

Year: 2015

Runtime: 83 mins

Language: Welsh

Director: Kevin Allen

Drama

A surreal and poetic adaptation of Dylan Thomas’s celebrated radio play, "Under Milk Wood" exists in both Welsh and English versions. Director Kevin Allen brings Thomas’s brilliant and haunting work to the screen, filming primarily in the Pembrokeshire village of Solfa in 2014. Narrated and starring Rhys Ifans, who portrays First Voice and Captain Cat, the film features Charlotte Church as Polly Garter and an ensemble cast. This marks the first theatrical production of the play since the 1972 film starring Elizabeth Taylor and Richard Burton, and reunites Allen and Ifans after their earlier collaboration, "Twin Town."

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In a lovingly rendered slice of coastal Wales, Under Milk Wood invites the audience into the sleepy, wind‑kissed village of Llareggub, where the ordinary and the uncanny coexist in the same breath. Filmed on location in Pembrokeshire, the picture glows with the soft, honeyed light of dawn and the hushed shimmer of night, echoing Dylan Thomas’s lyrical radio play. Director Kevin Allen preserves the poetic cadence of the source material while layering it with a visual texture that feels both timeless and intimately contemporary, turning the village itself into a living character that murmurs its own secrets.

A disembodied narrator, known as First Voice (voiced and performed by Rhys Ifans), serves as the story’s gentle guide, slipping in and out of the townspeople’s private reveries. The film’s rhythm follows the ebb and flow of daily life—morning sermons, market gossip, the clatter of a butcher’s shop—yet it is filtered through a dream‑like lens that blurs the line between waking thought and nocturnal fancy. This omniscient presence offers a tender, often humorous commentary that underscores how every resident carries a world of wishes, regrets, and whispered stories beneath the veneer of routine.

Among the ensemble, Captain Cat looms as a blind, sea‑worn figure whose inner world is as turbulent as the tide, while Polly Garter moves through the streets humming songs that hint at a past both joyous and bruised. Mog Edwards and Myfanwy Price exchange shy glances that suggest a quietly blooming affection, and Mr. Waldo drifts through his day with a mixture of melancholy and mirth. The pious Reverend Eli Jenkins documents the town’s lore with reverence, and Mrs. Cherry Owen offers comic relief through her colorful recollections of a husband’s misadventures. Even the shopkeepers and children contribute subtle layers to the tapestry, each voice adding texture to the collective portrait.

The tone is simultaneously whimsical and haunting, a melodic chorus that celebrates the beauty of ordinary lives while hinting at the deeper currents that stir beneath. Under Milk Wood feels less like a plot‑driven story and more like an invitation to listen to the murmurs of a community that sleeps, dreams, and awakens together—leaving the viewer gently curious about the hidden harmonies that bind them.

Last Updated: September 24, 2025 at 05:00

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