The R.M.

In the quiet, tightly‑woven world of a Utah LDS community, Jared Phelps steps off the plane after a two‑year mission in Wyoming with a head full of purpose and a heart full of expectation. He envisions a seamless transition back to the life he left behind—reuniting with a supportive girlfriend, slipping back into a familiar job, and marching toward a degree at Brigham Young University. The film opens with the dissonance between those bright hopes and the stark reality that greets him: an empty airport, a house no longer his, and a family scene that has already begun to shift.

The tone balances gentle humor with earnest introspection, blending moments of quirky surprise—like an unexpected karate kick in the shower—with the weighty undercurrents of faith, family, and personal identity. As Jared navigates this altered landscape, he confronts the uncomfortable truth that the roadmap he once trusted is now riddled with detours. The community’s expectations, his own sense of duty, and the lingering lessons from his missionary service create a compelling internal tug‑of‑war, prompting him to question what “doing the right thing” truly means when life refuses to stay tidy.

Amid the upheaval, Jared meets Kelly Powers, the daughter of a respected church authority, whose presence adds both warmth and a subtle challenge to his evolving priorities. Their tentative connection hints at new possibilities, suggesting that relationships forged in moments of uncertainty can become anchors for growth. The film’s atmosphere feels both intimate and expansive, inviting viewers to feel the pulse of a world where faith and everyday hardships intersect, and to wonder how a young man will chart his path when the future he imagined vanishes before his eyes.

Last Updated: October 23, 2025 at 16:16