The Colonel

In the early 1990s, Paris glimmers with a quiet, lingering tension, its elegant streets and historic cafés serving as a backdrop for a mystery that reaches back decades. A once‑renowned officer, now a retired Colonel Raoul Duplan, is found dead under enigmatic circumstances, pulling the city’s present into the shadows of its colonial past. The investigation is handed to a young, diligent officer, Lieutenant Galois, whose sharp mind and sense of duty clash with the murky bureaucracy of the modern French forces. Her arrival awakens a lingering curiosity about the nation’s unresolved history.

As Lieutenant Galois begins to probe the case, she receives a fragmentary diary belonging to Lieutenant Guy Rossi, a soldier who vanished in the turmoil of 1956 Algeria. The notebook, written in stark, almost lyrical prose, becomes a portal to a world of stark black‑and‑white recollections—military patrols, uneasy alliances, and the moral ambiguities that framed a brutal conflict. Through these pages, the film weaves a tense, atmospheric dialogue between the present‑day inquiry and the distant, hidden chapters of a war that still haunts the French conscience.

The tone of the story balances the cool, procedural rhythm of a contemporary police drama with the haunting, almost poetic resonance of a war memoir. Shadows lengthen over both the Parisian streets and the Algerian desert, suggesting that the past is never truly buried. Lieutenant Galois finds herself navigating not only bureaucratic obstacles but also the weight of memory, duty, and the unspoken questions that arise when personal histories intersect with national trauma. The film invites the audience to contemplate how history’s silent echo shapes the lives of those who dare to listen.

Last Updated: October 14, 2025 at 03:47