The Antichrist

The Antichrist

Year: 1974

Runtime: 112 mins

Language: Italian

Director: Alberto De Martino

DramaHorrorHorror

Deliver her from evil. An Italian nobleman seeks help after his paralyzed daughter becomes possessed by the spirit of a malevolent ancestress.

Warning: spoilers below!

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Timeline – The Antichrist (1974)

Trace every key event in The Antichrist (1974) with our detailed, chronological timeline. Perfect for unpacking nonlinear stories, spotting hidden connections, and understanding how each scene builds toward the film’s climax. Whether you're revisiting or decoding for the first time, this timeline gives you the full picture.

1

Paralysis diagnosed as psychosomatic

Ippolita remains paralyzed years after a car accident that killed her mother. Doctors diagnose the paralysis as psychosomatic rather than a physical injury, and she becomes increasingly dependent on her father. The fragile father-daughter dynamic grows tense when Massimo begins a relationship with Greta.

Present day, after the accident Rome, Italy
2

Uncle Ascanio and the parapsychologist

Seeking help, Ippolita visits her uncle, Vatican cardinal Ascanio. He admits there is little he can do and instead recommends a secular parapsychologist, Dr. Marcello Sinibaldi. This referral sets Ippolita on a path toward exploring ESP and past-life memories.

Shortly after the accident Rome (Ascanio's residence)
3

Hypnosis reveals past-life memories

Dr. Sinibaldi determines that Ippolita has strong extrasensory perception and that her disorder stems from unconscious memories of past lives. He hypnotizes her to retrieve these memories, hoping to unlock the cause of her paralysis. The sessions reveal her namesake ancestor, a witch who was burned by the Inquisition.

During initial sessions Dr. Sinibaldi's clinic
4

Dissociation and murderous compulsion

The past-life memory triggers the witch's spirit, granting Ippolita the ability to walk again but provoking dissociative episodes. In one such episode, she seduces and murders a tourist, showing how the possession weaponizes her body. The line between healing and danger becomes dangerously blurred.

During early dissociative episodes after hypnosis
5

Celebratory dinner: full possession manifests

During a family dinner, Ippolita's possession becomes openly violent and telekinetically powerful. Family members witness things moving on their own as the demon asserts control from within her. The only sound that seems to calm her is the toll of church bells.

During a family celebration Family home, Rome
6

Debate over the cause; science vs. possession

Dr. Sinibaldi dismisses the phenomenon as purely scientific, insisting there is no possession involved. Massimo insists there must be a supernatural explanation and searches for an alternative. Ascanio cautions that no action can be taken without approval from higher authorities in the Church.

After the dinner Rome (clinic and family home)
7

Maid seeks help from a mystic exorcist

Irene, the family maid, hires a local mystic to perform an exorcism at the house. Ippolita quickly exposes the man as a con artist and ejects him from her room. The failed attempt signals that more institutional help is needed.

Soon after the dinner Ippolita's residence
8

Ascanio's exorcism fails

Ascanio's own exorcism attempt also fails, with the demon rebuking the Cardinal for turning away when she sought help. The demon's power grows as the crisis deepens, forcing the family to confront the true nature of the danger. The religious and medical avenues collide.

Following the mystic incident Cardinal's residence / Vatican influence
9

Vatican approves formal exorcism

The Vatican finally authorizes Father Mittner to carry out a formal exorcism. This formal intervention marks a transition from secular to sacred authority. Mittner is depicted as the reincarnation of the original executioner, underscoring the ominous stakes.

When formal exorcism is sanctioned Vatican
10

Demon reveals seed of the Antichrist

During the exorcism, the demon reveals that the unborn child within Ippolita would be Mittner's son, the Antichrist. The revelation raises the stakes beyond personal possession to a prophetic threat to humanity. The intensity of the confrontation crescendos.

During exorcism sequences Within Ippolita's body
11

Pursuit and final restraint

Mittner's exorcism attempt culminates in a frantic chase as Ippolita flees the house with Massimo and her brother close behind. They pursue her toward the Colosseum, driven by fear and familial duty. The scene blends science, faith, and desperation as the exorcism reaches its final act.

Final pursuit From the family home toward the Colosseum, Rome
12

Colosseum confrontation and crossing of fate

At the Colosseum, the demon fights to resist the exorcism, but church bells ring, weakening the malevolent force. Massimo forces Ippolita's hands onto an iron cross and expels the demon and its unborn child from her body. The danger is finally defeated, and Ippolita regains her humanity.

Dawn / sunrise Colosseum, Rome
13

Restoration and new beginning

With the demon banished and the child gone, Ippolita is restored to herself and helps her brother up. She walks away with her father as dawn breaks over Rome, suggesting a fragile rebuilding of their relationship. The family ends the nightmare with a cautious sense of hope.

Sunrise Rome, at dawn

Last Updated: October 09, 2025 at 12:37

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Claustrophobic Demonic Possession movies like The Antichrist

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Narratives in this thread typically involve a vulnerable individual, often grappling with trauma, who becomes a vessel for a powerful demonic entity. The story escalates from psychological disturbance to full-blown supernatural manifestation, leading to a climactic, harrowing confrontation or exorcism in a confined space. The focus is on the internal battle for control and the violation of the self.

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Movies are grouped here based on their shared focus on the intimate horror of possession. They create a similar oppressive, anxious mood through high emotional weight, a dark tone, and steady pacing that builds claustrophobic tension. The experience is defined by supernatural dread and disturbing themes of psychological violation.

Psychological horror with supernatural elements like The Antichrist

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Narrative Summary

The narrative pattern involves a character dealing with significant psychological distress—often grief, guilt, or family trauma—which is then exploited or mirrored by a supernatural force. The story investigates whether the horror is purely psychological or genuinely paranormal, creating a complex and disturbing ambiguity before fully committing to the supernatural. The emotional journey is one of heavy, personal devastation intertwined with a battle against an external evil.

Why These Movies?

These films are grouped because they share a sophisticated blend of psychological and supernatural horror. They possess a moderate narrative complexity, a heavy emotional weight, and a dark, somber tone. The similarity lies in the central theme that the mind is a vulnerable frontier for evil, creating a uniquely disturbing and thought-provoking vibe.

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The Antichrist Summary

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Characters, Settings & Themes in The Antichrist

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Characters, Settings & Themes in The Antichrist

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