Year: 1954
Runtime: 78 mins
Language: English
Director: Jesse Hibbs
Pete Menlo runs gold claims in Nevada alongside his old friend Andy Martin. Crooked mine‑owner Bannon proposes a merger to create a monopoly, but the partners refuse. Pete falls for “Nevada” Wray, the daughter of rival mine‑owner “Jackpot” Wray, though she prefers Andy. Spurned, Pete teams with Bannon, discovering that Jackpot may control all the region’s gold veins. Bannon’s gang moves against Andy, prompting Pete to confront his betrayal and ultimately return to his friend’s side.
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Two former partners, John McIntire as Bannon and Howard Duff as Pete Menlo, once ran a mining operation in the rough strike town of Goldfield. One man runs the Fandango, a blend of saloon, casino and brothel, while the other handles mining advice and manages the claims the casino uses as security against bets. The town’s regular gambler Jackpot Wray, William Demarest, and his daughter Nevada Wray, Mala Powers, anchor the social and economic tension, with Nevada serving as the ore assayer and becoming the love interest.
After buying up a mine stake, the partners strike it rich, but their miners are drawn away by a better pay offer from Bannon. A street confrontation with one of his hired guns escalates into a full-blown price war. Neither mine can keep mule drivers loyal enough to transport the ore to the smelter, stalling cash flow and turning the town into a tense showdown. The partners plot to ship a load out of town, but their lawyer betrays them to Bannon (a continuity quirk concerns the scale of ore wagons for the number of horses). The wagons are bushwhacked by Bannon’s men outside town and crash, leaving Lex Barker as Andy Martin unconscious and left to die in the desert, only to be found by a passer-by and brought back into town.
As Martin returns, a mine cave-in traps three men, and while workers struggle to free them, Menlo and Bannon discuss a potential railway deal that would give a statewide magnate a 50% stake in the town’s mines. Martin arrives and misreads a supposed double cross, dissolving the partnership—and the romance—when there wasn’t one to begin with. In a casino showdown, Martin wins Jackpot’s mine, but an obscure mining law reveals that the rights are controlled by the owner of Jackpot’s mine, now Martin. The lawyer is run out of town, and Menlo tries to buy the mine back through Jackpot, only to discover it now truly belongs to Martin. This prompts Menlo to push deeper, and he is attacked by Bannon’s hoodlums and dragged to a meeting where Bannon also tries to buy the mine. Martin, Nevada and Jackpot sense that something is amiss, work the mine and uncover high-quality ore that could control the entire area’s strikes, all while being watched by one of the hoodlums.
Bannon wants to kill the prospectors, but Menlo argues against it. After a physical confrontation, Menlo is knocked unconscious and Bannon and his men hurry to the claims registration office to block registration. A gunfight erupts, in which the hoodlums are killed, and Menlo reappears just in time to prevent Bannon from killing Jackpot. In the end, the partnership saga resolves with a final clash between the two original partners, a moment that nods back to a wry echo of Gilligan’s Island, and closes on a note of uneasy peace.
Last Updated: October 05, 2025 at 12:32
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where alliances sour and friends turn rivals in a ruthless landscape.If you enjoyed the dynamic of broken trust and shifting allegiances in The Yellow Mountain, you'll find similar tension in these movies. This thread gathers Westerns and frontier stories where business partners or close allies become bitter rivals, testing their loyalty against a backdrop of greed and violence.
The pattern follows a strong partnership that is tested by external temptation, usually wealth or power, leading one member to betray the other. This creates a central conflict driven by personal betrayal rather than just an external villain, often culminating in a violent showdown that forces the betrayer to confront their choices.
Movies are grouped here for their focus on the emotional and violent fallout of a broken partnership. They share a tense, gritty mood, fast pacing due to constant conflict, and a central theme of redemption earned through confronting one's own treachery.
Communities gripped by economic wars and gang violence, where every stranger is a threat.Fans of The Yellow Mountain's tense atmosphere of bushwhacking and monopoly wars will enjoy these films. Discover movies where an entire town is the battlefield, with suspenseful standoffs and gritty action driven by economic pressure and gang violence.
The narrative unfolds within a confined, high-pressure setting where a central conflict over resources or control threatens the entire community. The plot is propelled by a series of escalating violent incidents—ambushes, street fights, sabotage—that create a palpable sense of danger and suspense until a final, decisive confrontation restores a fragile order.
These films are united by their specific world-building and mood. They create a cohesive experience of a community on the brink, sharing a fast pace, high intensity, tense tone, and a focus on survivalist action within a morally ambiguous setting.
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