The Wound

Pinki is born on May 4, 1980, the day Yugoslav president Josip Broz Tito passes away. Initially, his father, Stojan Mučibabić, wanted to name him after Tito, but authorities deemed it inappropriate due to national mourning.

Pinki and his best friend Švaba grow up in New Belgrade's Paviljoni neighborhood, each with different family backgrounds. While Pinki is more contemplative, Švaba struggles with his temper, reflecting the tension of their environment.

Pinki and Švaba befriend Dijabola, an awkward boy with a glamorous but distant mother. Although they include him in their activities, they often tease and neglect him, underscoring the dynamics of their youth.

In late summer 1991, Pinki and Švaba witness Serbian troops leaving for war in Croatia. This marks a pivotal moment as they begin to comprehend the gravity of the conflict unfolding in their country.

Stojan becomes increasingly consumed by his role in the JNA and develops strong nationalist views. He experiences deteriorating relationships with his neighbors as ethnic tensions rise in the community.

By 1992, the war transitions to Bosnia, and Serbia is subjected to a United Nations trade embargo. The effects of the embargo become apparent as the boys witness the changing dynamics in their society.

Pinki, Švaba, and Dijabola become enamored with their neighbor Kure, who robs from Germany. The boys are drawn into his lifestyle, longing for the excitement and adventure he represents.

As they reach their mid-teens, the trio starts indulging in petty crime, aspiring to be like the mobsters they admire on television. Their actions are influenced by the chaotic backdrop of war and sanctions.

Jealousy brews between Pinki and Švaba as they both develop feelings for Lidija, leading to a rift in their friendship. This puts their bond to the test and sets the stage for ensuing conflict.

In a tragic turn of events, Švaba shoots Pinki, leaving him severely injured. The shooting is symbolic of their fractured relationship and the violent realities impacting their lives in war-torn Serbia.

Miraculously, Pinki survives the shooting and escapes the hospital. His journey towards reconciliation is marred by the unwritten code of friendship that demands he reciprocate the wounds he received.

In a chaotic climax, Dijabola confronts Pinki and Švaba, seeking revenge for the loss of his mother. This confrontation ultimately leads to tragic consequences for all involved.

The showdown results in the deaths of both Švaba and Dijabola, leaving Pinki to grapple with the heightened emotions and ramifications of their actions. This reflects the broader tragedies of a society ravaged by conflict.

Wounded and lying on the ground, Pinki's chilling laughter at the audience encapsulates the absurdity of his experiences. He reflects on the cycle of violence and the futility of suffering endured through the war.