Year: 2003
Runtime: 108 mins
Language: English
Director: Robert Allan Ackerman
After her husband suffers a fatal heart attack on the way to their planned Roman vacation, the aging actress rents an apartment in the city. Through the Contessa she meets a young man, and the two begin an affair while she stays in Rome.
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Karen Stone, an acclaimed American stage actress, travels to Rome with her businessman husband for a holiday. On the plane, her husband, a multi-millionaire, suffers a fatal heart attack. Left with no reason to return home, she chooses to stay in Italy and rents a luxury apartment in Rome. She closes her latest play, As You Like It, because she realizes she is far too old to play Rosalind.
One year later, the Contessa Magda Terribili-Gonzales, a procurer, introduces her to a handsome, well-dressed, narcissistic young Italian named Paolo, who belongs to her stable of professional gigolos. Magda plots and plans, telling Paolo that Mrs. Stone has just begun to taste loneliness. [Paolo] and Mrs. Stone go out for dinner and dancing, but no more. Eventually she begins the affair. She falls in love with him; he pretends to love her. She believes that she is different from other mature women he has known. Her self-deception is aided by the fact that she does not actually pay him, but buys him expensive clothes and gifts, including a movie camera, and pays his bills through charge accounts. They become the subject of gossip columns. It soon becomes obvious that Paolo is only interested in himself. Eventually he is bored by Mrs. Stone’s possessiveness and pursues an American starlet.
Abandoned by Paolo, ridiculed by the Contessa, with her only real friend Meg on a plane to New York, Mrs Stone looks over her balcony and sees the ragged, mysteriously menacing young man who has followed her everywhere since the day she moved in, pacing. She tosses the keys of her apartment down to him and walks back inside, remembering what she told Paolo after he tried to frighten her with a story about a middle-aged woman murdered on the French Riviera by someone she invited into her apartment: > All I need is three or four years. After that, a cut throat would be a convenience. She lights a cigarette and sits down to wait. The youth comes into the apartment and walks toward her slowly, hands deep in the pockets of his filthy coat, smiling faintly as his shadow fills the screen.
Last Updated: October 09, 2025 at 16:49
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Intimate stories of solitary figures navigating profound grief and social isolation.If you liked the lonely, reflective mood of The Roman Spring of Mrs. Stone, explore more movies like it. This thread features slow-paced, heavy dramas centered on solitary figures dealing with grief, aging, and social isolation, offering a similarly poignant and melancholic viewing experience.
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Movies are grouped here for their shared focus on a single, deeply drawn character experiencing profound alienation. The tone is uniformly melancholic, the pacing is slow to emphasize introspection, and the emotional weight is heavy, creating a cohesive vibe of somber reflection.
Stories where romance is a tool for exploitation, leading to bleak disillusionment.For viewers who appreciated the cynical, transactional affair in The Roman Spring of Mrs. Stone, this collection features similar movies. Discover other heavy dramas where illicit or exploitative relationships lead to despair and bleak endings, capturing the same feel of emotional manipulation and futility.
The narrative follows a character, often vulnerable, who enters a relationship that promises connection but is built on an uneven power dynamic. The story arc is a straightforward descent into disillusionment, exposing the transactional nature of the affair and leaving the protagonist in a state of resigned despair, having gained nothing but a clearer view of their own exploitation.
These films are connected by their central, cynical portrayal of romance. They share a bleak tone, a straightforward narrative of disillusionment, and a heavy emotional weight derived from themes of exploitation and futility. The pacing is often slow, allowing the grim reality of the relationship to sink in.
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