The Duke

Kempton Bunton pleads not guilty in Court Number 1 at the Old Bailey, facing charges for stealing Goya's Portrait of the Duke of Wellington. This pivotal moment sets the stage for the events that follow, underscoring his determination to advocate for the elderly.

In the spring of 1961, Kempton, a self-taught man from Newcastle, sends a script to the BBC as part of his efforts to raise awareness for pensioners. His campaigning spirit is fueled by personal convictions, demonstrating his commitment to social justice.

Kempton is incarcerated for 13 days in Durham for watching television without a license, reflecting his defiance against the system despite being financially able to pay. This experience further solidifies his resolve to stand up for the common man.

After his release, Kempton's son Jackie meets him and together they visit the grave of Marion, Jackie's late sister. This poignant moment highlights the family's grief and the bonds they share in the face of tragedy.

Kempton's career as a taxi driver ends abruptly when he is fired for his excessive chatter with passengers and for giving a free ride to a disabled veteran. This incident underscores his compassionate nature, yet also foreshadows further struggles.

Determined to gain media attention for his campaign, Kempton convinces Dorothy to allow him a brief trip to London. He promises to abandon writing if he fails, showcasing his desperation and dedication to the cause.

Upon Kempton's return, a thief steals the Goya painting, prompting him and Jackie to create a hidden compartment for it in their wardrobe. This theft marks a turning point, intertwining Kempton's fate with the stolen artwork.

To generate support, Kempton sends ransom notes to the government, demanding that pensioners be exempt from TV license fees in exchange for the painting's return. This bold move highlights his unwavering commitment to his cause and stirs public interest.

Kenny visits Kempton and Dorothy with his girlfriend Pammy, who discovers the secret of the painting's hiding spot. This revelation complicates matters, as Pammy seeks half of the reward offered for the painting, creating tension within the family.

In a rush of regret, Kempton decides to return the painting to the National Gallery and confess to the theft. This act of honesty signifies his internal conflict and desire to amend his actions, even if it means facing legal consequences.

During the trial, barrister Jeremy Hutchinson QC argues that Kempton never intended to deprive the gallery of the painting permanently. His enthusiastic testimony serves to bolster the defense, providing hope for Kempton's outcome.

Jackie confesses to his mother, Dorothy, that he was the true thief, while Kempton heroically took the blame. This revelation adds complexity to the family dynamics and highlights themes of sacrifice and familial loyalty.

The jury finds Kempton not guilty of theft but convicts him only for the frame, which Jackie had misplaced. This result allows for some relief, yet signifies unresolved tensions and the emotional toll of the events.

In the aftermath, Kempton and Dorothy reflect on their loss of Marion and find ways to heal through shared experiences. They watch Dr. No, laughing together at a scene that features the 'stolen' painting, symbolizing their gradual reconciliation.

Four years later, Jackie confesses to the police about his theft role, but the authorities decide not to press charges. This decision reflects on the film's themes of justice and public opinion, leaving a lasting impact on the family.