In a dense London fog that swallows the city, a party of fashionable guests finds themselves stranded at a grand hotel where every room is spoken for. Leslie Steele, Merle Oberon, is bold, bubbly, and ridiculous in her own bright way, and she barrels into the suite of Everard Logan, Laurence Olivier, a coolly competent barrister who handles divorce cases with a measured hand. Logan protests, tries to eject her, and makes a few firm objections, but Leslie’s persistence and charm make eviction impossible. In a pragmatic compromise, Logan grants her access to the bedroom while he will take another room in the same suite. The scene is played with a sparkling, friction-filled energy as Leslie spends the night playfully teasing and taunting him, turning what should be a simple eviction into a curious, tense standoff that ends with a tentative wish to meet again.
By breakfast, Logan’s stance softens; he reconsiders and suggests they should see one another again. But the next moment tosses a wrench into that plan: Leslie bolts home to tell her grandfather, a stern judge, about her intentions to marry Logan. The grandfather himself becomes a crucial figure in the humor and tension to come, setting up a courtroom drama that Logan is about to enter. Logan is scheduled to plead a case before the judge that very day, and Leslie attends not only to witness her intended fiancé in action but also to observe how he handles a difficult, emotionally charged matter.
Logan’s courtroom performance provides the film’s sharpest contrast: he confronts a woman accused of adultery with a relentless, almost merciless fervor, tearing down the defense of the accused with precise, hard-edged questioning. This display of legal rigor reveals the distance between Leslie’s impulsive, modern spirit and Logan’s exacting, traditional, “gentle sex”-treating approach to justice, and it plants the seeds for the pair’s evolving relationship.
Meanwhile, a parallel thread follows Lord Mere, Ralph Richardson — one of Logan’s clients — whose presence in the social circle adds a layer of mistaken identity and social maneuvering to the story. Confusion mounts as Logan comes to suspect that Leslie might actually be Lord Mere’s wife, a misunderstanding that threatens to undermine both the court’s proceedings and the romance blossoming between Leslie and Logan. The mix-ups are brightened by social visits, weekends at the manor, and the ever-present fog of miscommunication that keeps both lovers on their toes.
A weekend fox hunt at the lord’s manor becomes the turning point where the tangled threads begin to untie. Surprises are resolved, the mistaken identity is clarified, and the relationship between Leslie and Logan moves toward a genuine reconciliation. By the end, Leslie has catalyzed a remarkable transformation in Everard Logan. He evolves from a stern, almost harsh courtroom figure into a more empathetic, understanding, and sensitive prosecutor who can interrogate with nuance and respect for those “the gentle sex.”
The film ultimately celebrates how a bold, irreverent, and free-spirited woman can soften a hardened professional, revealing the power of empathy and shared humanity to bridge differences and heal a wary heart.
> the gentle sex
