Tell It to the Judge

Marsha Meredith is questioned because she has been nominated for a federal judgeship, and a "Good-Government" group opposes her appointment, arguing that her divorce from Peter Webb makes her unfit for the bench. The Senate committee investigates whether her personal history, particularly her divorce, should disqualify her from serving as a federal judge.

The hearing establishes the political stakes that loom over the entire film, creating pressure that influences Marsha's decisions throughout the story.

Peter Webb, Marsha's ex-husband and a lawyer, is defending gangster George Ellerby in court. When Marsha returns to Palm Beach after her Senate hearing, Peter shows up to depose showgirl Ginger Simmons as part of his defense case. This professional entanglement brings Peter back into Marsha's orbit and fuels her jealousy when she sees him with other women.

Peter's legal work connecting him to a criminal creates complications that weave throughout the narrative.

Marsha fabricates the story about a husband named Roogle who died on their wedding night because she is furious at being drawn into the dangerous tangle of crime and rumor surrounding Peter's case. When she sees Ginger trying to steer Peter toward Ellerby and realizes the press is watching her every move, she invents this lie to manage the rumors and protect her reputation during the Senate confirmation process.

The Roogle lie becomes a central complication that escalates the confusion and forces further deception.

Marsha spots her ex-husband Peter with another woman (showgirl Ginger Simmons) and is consumed by jealousy. In a reactive impulse, she storms into a bar, meets Alexander Darvac, and takes him with her to a gambling spot. This reckless act stems from her emotional turmoil over seeing Peter with another woman, blurring personal vendetta with professional risk.

The jealousy-fueled encounter directly leads to her secret remarriage and sets the central romantic conflict in motion.

Marsha's grandfather, Judge MacKenzie Meredith, urges patience and discretion because the Senate has not yet confirmed her federal judgeship. He believes that publicizing their remarriage could jeopardize her nomination, as the same "Good-Government" group that opposes her divorce would use a secret remarriage against her. He counseled waiting until after the Senate confirms her appointment.

The secrecy creates the conditions for the escalating misunderstandings later in the film.

When Peter publicly claims that Roogle is alive and on his way, Marsha asks Alexander Darvac to impersonate Roogle to sustain the deception. However, the scheme collapses when Darvac tries to claim "husband" privileges, prompting Marsha to knock him out. This confrontation exposes the fragility of the ruse and forces the situation to a breaking point.

The failed impersonation directly leads to the resolution where Marsha must choose between her competing relationships.

After the confusion resolves and Marsha faces the consequences of her choices, she realizes that happiness with Peter outweighs the lure of a meteoric career. The film concludes with her returning home to confront the aftermath and choosing love and marriage over her ambition to serve as a federal judge, affirming the romantic comedy's theme that love comes first.

This choice represents the emotional culmination of the entire film, resolving the central tension between career and romance.

At the film's end, Marsha returns home and finds Ginger Simmons and Alexander Darvac knocked out in the closet. This farcical twist serves as the final comedic resolution of the mistaken identity scheme, providing a lighthearted conclusion that reminds viewers love, ambition, and danger can collide in unexpected ways. The closet discovery signals the end of the deception and allows Marsha and Peter to reconcile.

This moment pays off the multiple mistaken identity threads that have been building throughout the story.