Summer ’04

The film opens on a tranquil stretch of the Baltic Sea, where a family gathers for a summer holiday in the narrow inlet of the Schlei. The gentle rhythm of waves and the soft glow of endless daylight create a postcard‑perfect backdrop, yet the calm surface hints at deeper currents waiting to be explored. The story unfolds over long, lazy days and quiet evenings, inviting the viewer to linger in the warm, slightly humid air of a German seaside retreat in 2004.

At the heart of the picture is Miriam, a woman on the cusp of her fortieth birthday, who travels with her husband André and their teenage son Nils. Joining them is Livia, Nils’s young girlfriend, whose presence adds a fresh, restless energy to the mix. A chance encounter introduces Bill, an American with German roots whose easy charm unsettles the family’s routine. Together they form a small constellation of personalities, each carrying unspoken expectations, lingering regrets, and an undercurrent of desire that quietly shapes the holiday.

Stefan Krohmer’s direction treats the seaside setting as a living, breathing character, allowing the camera to linger on the soft sand, the creaking boats, and the sighs of summer heat. The tone is introspective and almost lyrical, using the simplicity of vacation rituals to peel back layers of affection, jealousy, and concealed guilt. The film’s pacing mirrors the ebb and flow of the tide, inviting the audience to taste the tension that rises beneath seemingly ordinary conversations and shared meals.

As the days stretch on, the family’s outward harmony becomes a delicate façade, while subtle glances and half‑spoken words hint at deeper connections and uncharted emotional territory. The narrative remains a quiet observation of how a seemingly perfect holiday can expose the hidden voids that linger in even the most intimate relationships, leaving the viewer with a lingering sense of curiosity about what lies beneath the surface.

Last Updated: October 14, 2025 at 03:49