September

In the lush quiet of a Vermont countryside, Lane seeks a fresh start after a personal crisis. The solitary country house becomes a refuge where the seasons whisper of renewal, yet the walls carry the echo of unresolved feelings. Woody Allen’s gentle direction infuses the setting with a blend of melancholy and wry humor, creating a space where introspection feels both intimate and universal.

Joining her for the long summer is Stephanie, a close friend escaping the rhythms of marriage and routine. Their companionship offers a steady counterpoint to the house’s stillness, as they share evenings filled with conversation and the occasional bout of nervous laughter. Shortly after, Diane arrives with her husband Lloyd, a pragmatic physicist whose calm demeanor contrasts with the mother’s flamboyant energy. Their presence reshapes the domestic rhythm, adding layers of family dynamics and unspoken history.

Just beyond the garden lie the homes of Peter and Howard, the neighboring companions who become entangled in a quiet, understated love triangle. Peter, a struggling writer, carries the restless curiosity of a mind always searching for story, while Howard, a French teacher, exudes a gentle, intellectual charm. Their interactions with the central trio stir a delicate balance of desire, admiration, and the inevitable friction that arises when affection is not evenly returned.

The film unfolds as a study in longing and the slow work of healing, framed by the gentle rustle of leaves and the soft glow of summer evenings. Through witty dialogue and subtle glances, the characters confront their own desires and the weight of past choices, all while the Vermont setting provides both sanctuary and a mirror for their inner turbulence. The tone remains tender yet incisive, inviting the audience to linger in the space between what is said and what remains unsaid.

Last Updated: December 03, 2025 at 23:53