Saturday Night and Sunday Morning

Saturday Night and Sunday Morning

Year: 1960

Runtime: 90 mins

Language: English

Director: Karel Reisz

DramaRomance

He spends Saturday nights reveling in reckless freedom—drinking, fighting, and seeing two women, including an older married lover—while his days are spent at the factory. His carefree escapades clash with the monotony of his job and the expectations of adulthood. When Sunday morning arrives, the 22‑year‑old must confront the consequences of his wild weekend and face reality.

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Saturday Night and Sunday Morning (1960) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of Saturday Night and Sunday Morning (1960), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

Arthur Seaton [Albert Finney] is a young machinist at the Raleigh bicycle factory in Nottingham. He is determined not to be tied down to living a life of domestic drudgery like the people around him, including his parents, whom he describes as “dead from the neck up”.

“dead from the neck up”

He spends his wages at weekends on drinking and having a good time.

Arthur is having an affair with Brenda [Rachel Roberts], the wife of Jack [Bryan Pringle], who works at the same factory as Arthur. He also begins a more traditional relationship with Doreen, [Shirley Anne Field], a beautiful single woman closer to his age. Doreen, who lives with her mother and aspires to be married, avoids Arthur’s sexual advances, so he continues to see Brenda, as a sexual outlet.

Brenda becomes pregnant by Arthur, who offers to help raise the child or terminate the unwanted pregnancy (abortion was not legal in Britain at the time the film takes place). Seeking advice, he takes her to see his Aunt Ada [Hylda Baker], who has Brenda sit in a hot bath and drink gin, which does not work. Brenda asks Arthur for £40 to get an abortion from a doctor.

After Doreen complains about not going anywhere public with Arthur, he takes her to the fair, where he sees Brenda with her family. When he manages to get Brenda alone, she reveals that she has decided to have the child, and then leaves Arthur to go back to her family before she is missed. Arthur follows her on to an amusement ride and gets in a car with her. Brenda’s brother-in-law and his friend—both of whom are soldiers—notice her enter the ride and, following, catch Arthur riding with his arm around Brenda. Arthur escapes the ride, but the soldiers catch him later and beat him up in a vacant lot.

Arthur spends a week recovering from his injuries. Doreen visits him, and he makes the moves on her, but is interrupted by his cousin, Bert [Norman Rossington]; they finally consummate their relationship later, at her house, after her mother goes to sleep. Back at work, Arthur runs into Jack, who tells him to stay away from Brenda, as they are staying together. Although he still has mixed feelings about settling into domestic life, Arthur decides to marry Doreen, and, on a hill overlooking a new housing development, they discuss their differing ideas of what their life together will look like.

Last Updated: October 09, 2025 at 09:26

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Movies about rebellious youth like Saturday Night and Sunday Morning

Stories of disaffected youth clashing with the rigid expectations of society.If you enjoyed the defiant spirit of 'Saturday Night and Sunday Morning,' explore these other films about disaffected young adults rebelling against social and economic constraints. These movies capture the angsty, confrontational energy of youth grappling with conformity, adulthood, and the monotony of working-class life.

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Narrative Summary

These stories typically feature a central character, often from a working-class background, who challenges authority and societal norms through a cycle of hedonistic weekends and soul-crushing weekdays. The conflict arises when their pursuit of freedom inevitably leads to serious consequences—such as complicated relationships or unwanted pregnancy—forcing a moment of reckoning and a bittersweet acceptance of a more conventional life.

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Narrative Summary

The narrative pattern involves a protagonist living a life of relative freedom, which comes into direct conflict with the consequences of their actions. Faced with a pivotal life event, they choose the path of conventional duty—like marriage or a stable job—over continued rebellion. The story ends not with triumph or tragedy, but with a quiet, resigned acceptance of a new, less exciting but more secure reality.

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This thread groups films based on a powerful and specific emotional arc: the transition from rebellion to resignation. They are connected by a shared tone of melancholy, a steady, character-focused pacing, and most importantly, a bittersweet ending feel. The emotional weight is typically medium, dealing seriously with life-altering choices without extreme despair.

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Characters, Settings & Themes in Saturday Night and Sunday Morning

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Characters, Settings & Themes in Saturday Night and Sunday Morning

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