Red, White & Brass

Set during the 2011 Rugby World Cup held in New Zealand, the story peaks around the Tonga vs France match in Wellington on October 1, 2011. The period captures a surge of national pride, community gatherings, and the social dynamics that come with a major international event. The timeframe provides a tight four-week window for Maka to organize a band and pursue his goal.

The action unfolds in Wellington, the capital city of New Zealand, serving as the backdrop for Maka's plan to watch the Tonga-France game. The city hosts a vibrant mix of Pacific Island communities and a lively rugby culture, which the film uses to build its sense of community. The pre-match atmosphere, venues, and local neighborhoods illustrate how a single game can unite a diverse urban landscape.

🤝 Community

The film centers on a tight-knit Tongan-New Zealand community rallying around a common aim. Elders, family, and newcomers all contribute, showing how shared identity and mutual support can mobilize people beyond individual ambitions. Tensions between tradition and modern expectations are navigated through collective action.

🎨 Creativity

Maka transforms a nonexistent brass band into a real project, turning cultural heritage into a living performance. The narrative highlights improvisation, teamwork, and the fusion of traditional hymn with hip-hop influences. The act of creating music becomes a catalyst for acceptance and pride within the community.

🌺 Identity

The story explores diaspora identity—how a Tongan community in New Zealand asserts its presence through sport and art. The band’s costumes, songs, and public audition become a platform for cultural visibility. Personal rivalries and family dynamics test loyalty, ultimately reinforcing a shared sense of belonging.