Pari

In the quiet, rain‑soaked outskirts of Bangladesh, a modest home becomes the centre of an unsettling quiet. Arnab, a gentle printer, and Piyali, a caring nurse, have just settled into this new space, hoping to build a future together. Their daughter, Rukhsana, begins to show behaviour that feels both foreign and unnerving, prompting the couple to question what lies beneath the surface of her everyday life.

The film weaves a slow‑burning atmosphere that blends the everyday with the mythic. Whispers of an ancient demon, known locally as Ifrit, linger in the shadows of the village, hinting at a lineage that blurs the line between human and something older. The rural landscape, dense with mist‑clad fields and creaking houses, feels both intimate and expansive, inviting viewers to feel the weight of tradition and superstition that presses against modern hopes.

Arnab and Piyali are drawn into a delicate dance of love, doubt, and protectiveness as they grapple with the changes they observe in their child. Their relationship, grounded in quiet devotion, is tested by forces they can barely name, and the film’s tone shifts between tender domestic moments and an undercurrent of dread that never fully fades. The characters move through a world where science and folklore intersect, leaving room for wonder and fear to coexist.

Through careful pacing and a muted colour palette, the story sets up a compelling mystery: what is truly hidden within Rukhsana’s strange behaviour, and how will the couple’s resolve shape the outcome? The mood remains hauntingly lyrical, promising a journey that explores the boundaries of love, identity, and the shadows that linger just beyond ordinary sight.

Last Updated: October 05, 2025 at 16:52