Palm Trees in the Snow

In the crisp winter of the Pyrenees, a solitary figure stands at the edge of a family homestead, feeling the pull of a distant past that stretches far beyond the snow‑capped hills. The story begins in 2003 Spain, where Clarence learns that the roots of her family extend to the lush, tropical island of Bioko, once known as Fernando Pó, off the coast of Equatorial Guinea. The film invites the audience to travel between two wildly contrasting worlds—a quiet, windswept village in Huesca and a vibrant, sun‑drenched landscape where cocoa trees sway under a perpetual humidity—setting a mood that is both nostalgic and anticipatory.

Clarence is a young archivist of memory, drawn into the mystery of her father’s life after his funeral. With a torn photograph, a weathered journal, and fragments of letters, she feels compelled to follow the breadcrumbs left by her relatives, hoping to understand the hidden chapters of her lineage. Alongside her cousin Daniela and an aging family friend Julia, she embarks on a quest that is as much about uncovering history as it is about confronting the silence that has settled over her family. Their journey is underscored by a gentle, lingering curiosity, a sense that each discovered detail might illuminate the bond between past and present.

The island’s own story is hinted at through the recollections of Kilian, a young man who left the snowy mountains decades earlier for a new life among the cocoa plantations, and through whispered names like Bisila, Iniko and Simón, who linger in the margins of the family’s collective memory. Their lives intermingle with the island’s rhythms—its music, its market streets, its forested waterfalls—creating a tapestry of cultural texture that feels both intimate and expansive. As Clarence steps onto this foreign shore, the film balances tender melancholy with the quiet thrill of discovery, leaving the audience to wonder what truths lie beneath the layers of history, identity, and the enduring pull of home.

Last Updated: September 24, 2025 at 04:58