Over My Dead Body

In a bustling city where matchmaking is treated like a high‑stakes game, Fred Wischnewski runs the Amor agency with a swagger that borders on arrogance. He has built his reputation on clever pairings and fleeting romances, treating love more like a commodity than a feeling. The tone of his world is a blend of sharp wit and underlying melancholy, a place where confidence masks a deep‑seated emptiness. His interactions are laced with humor, yet the glossy surface of his professional life hints at the broken connections he leaves behind.

When a personal crisis brings his life to a sudden halt, Fred finds himself aboard a shadowy ferry that ferries souls toward the afterlife. A cryptic conversation with the enigmatic ferryman offers him an unexpected second chance: if he can rekindle belief in love for three women he has hurt, he will be granted a return to the living world. The bargain is bound by a tight three‑day deadline, creating a frantic race against an unseen clock that mixes dark comedy with a haunting sense of urgency.

The three women—each representing a different facet of Fred’s past—become the focal points of his redemption quest. Among them is the fiercely independent Rita Hauser, whose unconventional lifestyle and moral convictions stand in stark contrast to his former antics. Their tentative alliance hints at a dynamic shift, inviting both tension and the possibility of genuine connection. As the deadline looms, Fred must navigate his own ego, confront the consequences of his actions, and rediscover what it truly means to care for another person.

The film balances supernatural whimsy with a grounded emotional core, inviting viewers to wonder whether a hardened charmer can genuinely transform. Its mood swings from sardonic humor to tender introspection, all while maintaining a brisk, pulse‑quickening pace that keeps the audience guessing about the true cost of a second chance at love.

Last Updated: October 27, 2025 at 16:42