Year: 1941
Runtime: 76 mins
Language: English
Director: Frank McDonald
MYSTERY…MADNESS…MURDER! A wise-cracking private detective’s honeymoon is interrupted by a kidnapping case.
Warning: spoilers below!
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Read the complete plot breakdown of No Hands on the Clock (1941), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Humphrey Campbell, a seasoned private detective, tracks down a runaway woman named Louise Campbell and ends up marrying her. On the way to Reno, Nevada, for their honeymoon, the newlyweds stop at a bank that is robbed by three men, a twist that foreshadows the dangers ahead.
Oscar Flack of the Flack Missing Persons Bureau tracks the couple to a Reno hotel. Louise persuades him to take a case after he promises her a fur coat for locating Hal Benedict, the missing man. They travel to meet Warren Benedict, Hal’s father. When Humphrey learns the FBI may be involved, he resists, but Oscar convinces him to proceed. Despite his attempts to shield her, Louise remains determined and tags along, drawn into a case that quickly grows more tangled than expected.
In the hotel bar, Humphrey learns that Hal was seen frequently with a woman; Irene Donovan is the person in question. A blonde named Gypsy Toland offers him a ride to Irene’s place, but a furious Louise exposes their presence and he exits the car. Later, Humphrey discovers Irene is dead, while Rose Madden — Hal’s fiancée — is found alive and protesting that she did not kill Irene. The pair end up driving Rose’s car, parking, and talking, and Louise notices Humphrey in the company of Rose. With Louise now suspected of complicity and her husband under a murder cloud, the tension intensifies.
Humphrey seeks out Clyde Copley, a collections investigator who admits he was hired by Hal to retrieve letters Hal wrote to Irene; Irene had threatened to use those letters if Hal married Rose Madden. Eventually, Humphrey is exonerated when Police Chief Police Chief Bates learns that his alibi is solid.
Warren Benedict wants to see Humphrey, but a deadly confrontation ensues as three men shoot at them while heading to Benedict’s ranch. In the ensuing shootout, Humphrey wounds two assailants and drives them away. He also identifies a silver dollar found in Irene’s hand as the hallmark of Red Harris, a notorious bank robber. Benedict then reveals a ransom note demanding $50,000 for Hal’s return and instructs Benedict’s foreman Harry Belding to deliver the money that night. Humphrey urges obedience to the plan.
Two FBI agents confront Humphrey, convinced he is the bank robber they’re after, but Oscar vouches for him. Later, Harry Belding is murdered and robbed while on the way to deliver the ransom.
The plot thickens when Gypsy Toland lures Humphrey into an abduction; Red Harris intends revenge on Stafford, Humphrey’s crooked lookalike. Red must be convinced that Humphrey isn’t the man he seeks, and Humphrey deduces that Red doesn’t know any suspects by their real names. He proposes an audacious setup: Red should stand outside a window to identify the person who truly knows him by that famous trademark. Louise, caught snooping near the scene, offers to be Red’s hostage to seal the plan.
As tensions converge, Humphrey gathers everyone in Clyde Copley’s office, and Red fails to spot any familiar face. A tense shootout with FBI agents—prompted by an anonymous tip—leads to Red Harris’s death, and the remaining truth surfaces. In the end, Humphrey concludes that the killer must be Clyde Copley himself, bringing the case to a dramatic and fitting close.
Last Updated: October 09, 2025 at 11:13
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Sarcastic private eyes race against time to unravel dangerous conspiracies.If you enjoyed the fast-paced, wise-cracking energy of No Hands on the Clock, explore more movies like it. This collection features other hard-boiled detective stories where a charming but cynical investigator faces murder, kidnapping, and shootouts in a race against time.
The narrative typically throws a competent but flawed investigator into a high-pressure situation, often disrupting their personal life. They must use their wit and grit to navigate a web of lies, clear their name or protect a client, leading to a series of tense confrontations and a final, satisfying resolution of the case.
These films are grouped by the combination of a specific character archetype—the charismatic, wise-cracking detective—and a specific type of plot—a fast-unfolding, dangerous investigation. The shared experience is one of thrilling escapism with a reliable hero at the center.
A peaceful escape violently shattered by a sudden criminal conspiracy.Discover more films like No Hands on the Clock where a idyllic honeymoon turns into a nightmare. If you liked the premise of a romantic getaway disrupted by a kidnapping or murder case, you'll find similar tense and exciting stories in this thread.
This narrative pattern uses a peaceful setting as a dramatic foil. The inciting crime violently intrudes upon the characters' happiness, immediately establishing high personal stakes. The protagonists are often forced to rely on skills they hoped to leave behind, transforming their escape into a desperate fight for survival.
Movies are grouped here by a shared, highly specific plot device that creates instant narrative momentum and emotional investment. The experience is defined by the sharp tonal shift from safety to danger and the personal nature of the conflict.
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Track the full timeline of No Hands on the Clock with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
Discover the characters, locations, and core themes that shape No Hands on the Clock. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
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