Namaste Wahala

Raj, an Indian-born investment banker in Lagos, falls for Didi, a Nigerian pro bono lawyer. They begin a quiet romance, keeping it under wraps due to cultural and professional differences. The attraction grows despite secrecy and opposition from their circles.

Didi's commitment to the NGO clashes with Ernest's expectation that she stay with his law firm. He also favors Somto as a suitable son-in-law, which heightens the tension around Didi's relationship. The early chapters set up a clash between love, duty, and family ambition.

After three months, Raj introduces himself to Didi's family. They are shocked to learn he is Indian, since Didi had not told them about this before. The revelation tests their acceptance and the couple's resolve.

Didi decides to pursue justice for Jane, the NGO volunteer assaulted by Raymond, Ernest's powerful client’s son. She refuses to drop the case despite pressure from Ernest and his connections. This decision marks a turning point in her independence and in the couple's standing with the family.

Raymond denies the attack, and Preemo sabotages the case by destroying CCTV footage. The loss of evidence fuels Didi's anger at the collusion between business and law at the expense of truth. The conflict intensifies as trust in the system wanes.

Feeling unsupported, Didi leaves the family home and moves into Raj's apartment. The relocation isolates her from Ernest's influence and strengthens her bond with Raj. The move marks a new chapter in their relationship.

Meera travels to Nigeria and clashes with Didi, reflecting deep generational and cultural tensions. The meetings between the two women are tense, with humor and warmth tempered by stubborn pride. The visits complicate the couple's hopes for a peaceful union.

Didi's mother Shola believes their cohabitation won't be accepted by both families. A war of words erupts between Shola and Meera, highlighting parent-driven resistance to the match. The scene underscores the long road the couple must travel to gain familial approval.

Determined to prove Jane's innocence, Didi seeks Tarun's help. Tarun, initially uncooperative, points her to the security staff who provide the CCTV footage. The new evidence begins to shift the balance of the case.

With the CCTV footage recovered, Jane's innocence is confirmed. Ernest agrees to an out-of-court settlement with Raymond and fires Preemo for perverting justice. The victory is a pivotal moment for Didi's resolve and for the integrity of her NGO work.

Leila reassures Meera that Nigerian and Indian women share many similarities, easing some of the cultural fears. The friendship helps bridge gaps between families and inspires fresh hope for the wedding. The exchange strengthens the sense that love can cross cultural borders.

Meera and Raj visit Didi's parents bearing gifts, signaling a shift toward acceptance. Ernest remains stoic but starts to show willingness to welcome Raj into the family. The gesture marks a tangible step toward reconciliation.

Ernest acknowledges Raj as a suitable husband for Didi and begins to support their plans. He recognizes Didi's happiness and the positive influence of her partnership with Raj. The family starts to unite around the forthcoming wedding.

The movie ends with a Bollywood-themed wedding in Nigeria, symbolizing the cultural fusion that defines the couple's union. Families and friends celebrate the cross-cultural love that overcame obstacles. The ceremony blends Nigerian and Indian traditions in a festive finale.

In the post-credits moment, Meera and Ernest quarrel about who should pay the bride price or dowry, a lighthearted note that hints at ongoing family negotiations. The couple's union remains secure, but cultural negotiations continue behind the scenes. The scene adds a playful touch while underscoring the film's themes of tradition vs modern love.